Viewer Rating
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1 Hour to Kill (2025)
Horror-comedy follows a producer hiring actors to fake a ghost hunt at a serial killer's house, rigged for scares, until real supernatural threats emerge. Directed by and starring Jim Klock as investigator Danny, with Chad Ridgely as cameraman Pete and Alexis Kelley as psychic Sheryl. Independent release in September 2025.
Horror-comedy follows a producer hiring actors to fake a ghost hunt at a serial killer's house, rigged for scares, until real supernatural threats emerge. Directed by and starring Jim Klock as investigator Danny, with Chad Ridgely as cameraman Pete and Alexis Kelley as psychic Sheryl. Independent release in September 2025.
The film's central conflict revolves around a fake ghost hunt escalating into real supernatural danger, with no evident political undertones or ideological messaging. This apolitical focus on horror-comedy tropes determines its neutral stance.
The film features a predominantly white cast in its lead roles without any evident recasting for diversity purposes. Its narrative delivers standard horror-comedy tropes centered on a ghost-hunting team, avoiding any examination or critique of social identities or equity issues.
This found-footage-tinged horror-comedy sidesteps family dynamics entirely, focusing instead on a ragtag crew of faux investigators trapped in a killer's lair. The absence of any family structures or norms in the narrative leads to a neutral portrayal.
No LGBTQ+ characters or themes appear in the film. The narrative focuses on a comedy-horror premise involving ghost hunters and a haunted house, without any queer representation or related elements.
No transgender characters or themes appear in the film. The story focuses on ghost hunters facing a serial killer's spirit without addressing transsexual identity.
The movie does not contain any action or adventure elements.
The film presents original characters in a comedy horror narrative about ghost hunters, without any adaptations, biopics, or reboots involving gender-swapped portrayals from established canon or history.
The film presents original characters without established racial baselines from source material, resulting in no instances of race swaps.
Combines user and critic ratings from four sources























