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120 Bahadur (2025)
Valiant Indian soldiers fight against Chinese troops during the 1962 Sino-Indian War, preventing a potential occupation of Ladakh region in the Battle of Rezang La.
Valiant Indian soldiers fight against Chinese troops during the 1962 Sino-Indian War, preventing a potential occupation of Ladakh region in the Battle of Rezang La.
The film's central narrative champions Indian national sovereignty, military heroism, and the legitimacy of military command structures, portraying soldiers' sacrifice as essential for national defense and reinforcing traditional gender roles. This aligns with conservative values of patriotism and institutional respect.
The movie features visible diversity in its cast, including actors from varied regional and religious backgrounds within India. However, its narrative primarily focuses on traditional military heroism, patriotism, and national pride, without explicitly critiquing traditional identities or incorporating broader social justice themes.
Based on available information, 120 Bahadur (2025) does not feature any identifiable LGBTQ+ characters or themes. Search results focus exclusively on the film's historical war plot, military characters, and a heterosexual family dynamic, providing no indication of LGBTQ+ representation.
Based on available details, '120 Bahadur, 2025' does not appear to feature transsexual characters or themes. The film's focus on a historical war drama about the 1962 Sino-Indian War contains no plot points or character arcs indicating any form of transsexual representation.
The film focuses on the Battle of Rezang La, involving 120 male soldiers. Raashii Khanna's character, Shugan/Shagun Kanwar, appears as Major Shaitan Singh's wife, praying for his safety, with no involvement in combat. No female characters are depicted engaging in physical combat with male opponents.
The film accurately portrays the historical genders of its characters, including Major Shaitan Singh Bhati and his wife, consistent with historical records and the all-male military unit depicted. No gender swaps are present.
The film portrays historical Indian characters (Rajput, Ahir, Telugu) with actors of Indian descent. While regional ethnicities may vary between the historical figures and the actors, the broader racial category of South Asian remains consistent, thus not constituting a race swap.
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