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13 Days, 13 Nights: In the Hell of Kabul (2025)
Kabul, August 15, 2021. US troops are preparing to withdraw from Afghanistan, while the Taliban are marching on the capital to seize power. Amid the chaos, Commander Mohamed Bida and his men are in charge of security at the French embassy, the last Western mission to remain open. Trapped along with 500 people, left to their own devices, the team must reach the airport at all costs. A perilous mission with no guarantee of success to flee the hell of Kabul and rescue what remains of humanity.
Kabul, August 15, 2021. US troops are preparing to withdraw from Afghanistan, while the Taliban are marching on the capital to seize power. Amid the chaos, Commander Mohamed Bida and his men are in charge of security at the French embassy, the last Western mission to remain open. Trapped along with 500 people, left to their own devices, the team must reach the airport at all costs. A perilous mission with no guarantee of success to flee the hell of Kabul and rescue what remains of humanity.
The film's dominant themes align with right-leaning values by celebrating the heroism and competence of a national security team as the solution to a chaotic geopolitical event, framed as a tribute to 'unsung heroes' amidst the 'abandonment and fall of Kabul'.
The movie features a diverse cast that naturally reflects the real-life historical event and geographical setting of the French Embassy evacuation in Kabul. The narrative focuses on thriller elements, real events, and the heroism involved, without explicit DEI themes or critiques of traditional identities being central to its framing.
The film centers on the Taliban's Islamist movement seizing Kabul, depicting their actions as the source of significant peril and conflict. This portrayal aligns with a problematic view of this specific religious-political faction and its impact.
Based on available plot summaries, reviews, and promotional materials, the film '13 Days, 13 Nights: In the Hell of Kabul' does not appear to feature any identifiable LGBTQ+ characters or themes. There is no evidence suggesting any depiction, positive or negative, of the LGBTQ+ community.
The film "13 Days, 13 Nights: In the Hell of Kabul, 2025" does not feature any identifiable transsexual characters or themes. The narrative, as described in available sources, does not touch upon gender or sexual transformation, leading to a rating of N/A for its portrayal of transsexual individuals.
The available information indicates that female characters like Eva, Kate, Aminda, or Nicole are present in scenes of chaos and injury, but no descriptions detail them engaging in or winning direct physical combat against male opponents. The action focuses on male-led security efforts.
The film is adapted from a non-fiction memoir detailing real events. All depicted characters, including key figures and supporting roles, maintain the same gender as established in the source material and historical context, with no discrepancies noted.
The lead character, Commander Mohamed Bida, is portrayed by an actor whose background aligns with the historical figure's likely heritage. Other characters are either new creations without a pre-established race or involve shifts in ethnicity/nationality (e.g., Algerian for Afghan) rather than a fundamental change in broader racial category.
Combines user and critic ratings from four sources























