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A Fistful of Dollars (1964)
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
The film critiques the destructive nature of unchecked greed and power from both warring factions, focusing on the pragmatic, morally ambiguous actions of an individual in a lawless environment, rather than promoting a specific political ideology.
The film features traditional casting with a predominantly white ensemble, consistent with Westerns of its time. Its narrative focuses on a male protagonist and does not explicitly critique traditional identities or incorporate DEI themes.
The film portrays Christianity positively through Father Pablo, a sympathetic priest who acts as a moral compass, protecting the innocent and embodying virtues of compassion amidst the town's corruption. The narrative aligns with his efforts to uphold dignity and peace, contrasting with the surrounding violence.
A Fistful of Dollars, a 1964 Spaghetti Western, does not include any discernible LGBTQ+ characters or themes. The narrative centers on a lone protagonist's interactions with rival gangs in a border town, with no elements related to queer identity present in the plot or character arcs.
A Fistful of Dollars, a classic Spaghetti Western, does not feature any transsexual characters or themes. The film's plot and character arcs are entirely centered on a lone gunslinger's manipulation of rival gangs, focusing on themes of violence, greed, and revenge, with no elements related to transgender identity.
The movie does not contain any action or adventure elements.
A Fistful of Dollars is an original Western film, not an adaptation of pre-existing source material with established characters whose genders could be swapped. All characters were created for this film.
A Fistful of Dollars features original characters created for the film, not adaptations of pre-existing characters with established racial identities from source material. Therefore, no race swaps occurred.
Combines user and critic ratings from four sources























