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A Goldfish (1974)

A Goldfish poster

A Goldfish (1974)

Overview

among the finest examples of postconceptual work to come out of the ‘70s and ‘80s


Starring Cast


Rating & Dimensions

Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low

Viewer Rating

Not Rated


Overview

among the finest examples of postconceptual work to come out of the ‘70s and ‘80s


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

The film's title "An Evening at Disneyland" provides no explicit plot or thematic details to suggest a political stance. Without any discernible conflict or championed solution, the film is assessed as neutral, focusing on apolitical themes of entertainment and leisure.

This 1961 television special features casting that aligns with traditional demographics of its era, without any explicit efforts towards diverse representation or intentional recasting of roles. The narrative focuses on promoting Disneyland and its attractions, and does not include any critique of traditional identities or incorporate DEI themes.

Secondary

The film 'An Evening at Disneyland' is a 1961 promotional television special showcasing the Disneyland park. It does not feature any identifiable LGBTQ+ characters or themes, resulting in no depiction to evaluate.

Due to the absence of specific plot details or character descriptions for 'O Flagelo da Humanidade', an evaluation of its portrayal of transsexual characters and themes cannot be conducted. Consequently, the film receives an N/A rating, indicating no identifiable transgender content could be assessed.

The movie does not contain any action or adventure elements.

This 1974 special showcases Disneyland attractions and established Disney characters. There is no evidence or historical record of any canonically gendered character being portrayed as a different gender in this production.

This 1974 film is a documentary-style look at Disneyland. It does not feature fictional characters adapted from source material with established racial identities, nor does it portray historical figures in a way that would constitute a race swap.


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