Leans Traditional
6.8
Boca de Ouro
(1990)
Political: Center
Diversity: Low
A Joia Maldita (1920)
A Joia Maldita (1920)
Overview
A jewel thief who goes so far as to steal his own wife's jewels. During his escape, he goes through a series of adventures and incidents, leading to the exhibition of landscapes of São Paulo, Alto de Santana and Rio de Janeiro.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Viewer Rating
Not Rated
Overview
A jewel thief who goes so far as to steal his own wife's jewels. During his escape, he goes through a series of adventures and incidents, leading to the exhibition of landscapes of São Paulo, Alto de Santana and Rio de Janeiro.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central premise, revolving around a 'cursed jewel,' suggests themes of greed, fate, and moral dilemmas, which are broadly humanistic rather than explicitly political. Without specific plot details or thematic emphasis, a neutral rating is assigned.
This 1965 Brazilian adventure film features a cast that reflects natural diversity without explicit DEI-driven casting. Its narrative focuses on adventure themes, maintaining a neutral or positive framing of traditional identities rather than offering explicit critiques.
Secondary
Based on available information, 'A Joia Maldita' does not appear to feature any identifiable LGBTQ+ characters or themes. Consequently, there is no portrayal to evaluate, resulting in an N/A assessment for its LGBTQ+ depiction.
The film 'A Joia Maldita' does not feature any identifiable transsexual characters or themes within its narrative. Its storyline centers on the experiences of a cisgender female protagonist, with no elements related to transgender identity or experiences present in the plot or character arcs.
The movie does not contain any action or adventure elements.
As an original 1920 silent film, "A Joia Maldita" introduces its characters for the first time. There is no prior source material or historical record for its characters to establish a canonical gender that could then be swapped.
This 1920 Brazilian silent film is not an adaptation of a work with pre-established character races, nor does it feature historical figures. Therefore, no characters have a canonical or historically documented race that could be altered.
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