Viewer Rating
Combines user and critic ratings from four sources

A Month by the Lake (1995)
For 16 years Miss Bentley has been spending April at an elegant hillside villa on Lake Como. This year, 1937, her London society artist father has recently died and the only other English-speaking guests are brash Americans. Then Major Wilshaw arrives. He suggests they meet for cocktails and Miss Bentley stands him up -- not even thinking about it -- as she helps the new nanny of an Italian family settle in. Miss Beaumont, a tall, young American who has dropped out of finishing school in Switzerland, is bored and finds some amusement in flirting with the major, whose libido is awakened for the first time since before the great war. And Miss Bentley now finds more about the major to admire than his ears.
For 16 years Miss Bentley has been spending April at an elegant hillside villa on Lake Como. This year, 1937, her London society artist father has recently died and the only other English-speaking guests are brash Americans. Then Major Wilshaw arrives. He suggests they meet for cocktails and Miss Bentley stands him up -- not even thinking about it -- as she helps the new nanny of an Italian family settle in. Miss Beaumont, a tall, young American who has dropped out of finishing school in Switzerland, is bored and finds some amusement in flirting with the major, whose libido is awakened for the first time since before the great war. And Miss Bentley now finds more about the major to admire than his ears.
The film is a romantic drama centered on personal relationships and social dynamics among holidaymakers, with its core conflict and solutions being entirely personal and apolitical, leading to a neutral rating.
The movie features a traditional cast without explicit DEI-driven recasting. Its narrative, typical of a romantic drama from its era, does not appear to critique traditional identities or center on explicit DEI themes.
A Month by the Lake, 1995, does not feature any identifiable LGBTQ+ characters or themes. The narrative centers entirely on heterosexual romantic entanglements and social interactions among its main characters, resulting in no portrayal of queer identity within the film.
Based on available information, the film "A Month by the Lake" does not appear to feature any identifiable transsexual characters or themes. The narrative primarily focuses on romantic entanglements and social dynamics at an Italian resort in the 1930s, without any depiction of transgender identity.
The movie does not contain any action or adventure elements.
The film is an adaptation of H.E. Bates' 1936 novella. An analysis of the main characters and their portrayals in the film reveals no instances where a character's gender was altered from the source material.
The film is an adaptation of a 1936 British novella. The main characters, originally depicted as white English individuals, are portrayed by white actors, aligning with their established racial background.
Combines user and critic ratings from four sources























