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A Very Harold & Kumar Christmas (2011)

A Very Harold & Kumar Christmas poster

A Very Harold & Kumar Christmas (2011)

Overview

Six years have elapsed since Guantanamo Bay, leaving Harold and Kumar estranged from one another with very different families, friends and lives. But when Kumar arrives on Harold's doorstep during the holiday season with a mysterious package in hand, he inadvertently burns down Harold's father-in-law's beloved Christmas tree. To fix the problem, Harold and Kumar embark on a mission through New York City to find the perfect Christmas tree, once again stumbling into trouble at every single turn.


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered byJustWatch

Rating & Dimensions

Bias Rating
Analyzing...
Center

Political: Center
Diversity: Moderate
LGBTQ: Neutral
Trans: Negative
Christianity: Positive
Judaism: Positive

Viewer Rating
6.3

Overview

Six years have elapsed since Guantanamo Bay, leaving Harold and Kumar estranged from one another with very different families, friends and lives. But when Kumar arrives on Harold's doorstep during the holiday season with a mysterious package in hand, he inadvertently burns down Harold's father-in-law's beloved Christmas tree. To fix the problem, Harold and Kumar embark on a mission through New York City to find the perfect Christmas tree, once again stumbling into trouble at every single turn.


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Center

Primary

The film's central subject matter revolves around personal relationships, friendship, and the comedic misadventures of its protagonists during Christmas, rather than promoting a specific political ideology. Its core conflicts and resolutions are personal and relational, not ideological.

The movie features prominent minority leads, establishing clear diversity in its central casting. However, its narrative does not explicitly critique or negatively portray traditional identities, focusing instead on comedic misadventures. This combination results in a classification indicating a light presence of DEI elements.

Secondary

The film features an openly lesbian couple whose relationship is normalized within a family context. However, other comedic scenes involving gay characters rely on stereotypes and discomfort for humor. The positive and problematic elements largely balance each other, resulting in a neutral overall portrayal.

The film includes a transsexual character, Trixie, whose identity is primarily used as a comedic reveal to elicit surprise from another character. This portrayal lacks depth and agency, framing trans identity as a source of shock rather than depicting the character with dignity or complexity, contributing to a problematic net impact.

While the film satirizes the commercialism and some superficial aspects of Christmas, it ultimately affirms the holiday's spirit of family, giving, and belief. Christian characters are depicted with nuance, and the narrative does not condemn the faith itself.

The film portrays Vanessa's Jewish family with warmth and humor, focusing on their cultural traditions and family values. The narrative does not present Judaism as problematic, but rather as a source of identity and connection.

The movie does not contain any action or adventure elements.

This film is a direct sequel in an established series, continuing the stories of its existing characters. No characters from prior installments or source material have their gender changed in this film.

This film is the third installment in an original series. The main characters, Harold Lee and Kumar Patel, and other recurring roles maintain their established racial portrayals from previous films. No characters were canonically established as a different race in prior installments or source material.


Viewer Rating Breakdown

6.3

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
6.2
The Movie Database logo
6.0

Critic Ratings

Rotten Tomatoes logo
6.9
Metacritic logo
6.1

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