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Drama, Romance, War • 2004 • 133 min • Adults (18+)

Set in the aftermath of World War I, this French film follows Mathilde, a young woman who refuses to accept that her fiancé died in the trenches and launches a years-long search for the truth. Jean-Pierre Jeunet directs with the same visual inventiveness he brought to Amélie, though the subject is considerably grimmer. The Leans Progressive label comes from two directions. The film frames the war itself as a machine of institutional cruelty, grinding up ordinary people for reasons that don't hold up to scrutiny. It also gives quiet, dignified weight to a same-sex relationship between soldiers, treating their bond as genuine and their loss as tragic. Balancing that, the story's emotional engine is old-fashioned romantic devotion and family loyalty.
Audrey Tautou • Gaspard Ulliel • Jodie Foster
Set in the aftermath of World War I, this French film follows Mathilde, a young woman who refuses to accept that her fiancé died in the trenches and launches a years-long search for the truth. Jean-Pierre Jeunet directs with the same visual inventiveness he brought to Amélie, though the subject is considerably grimmer. The Leans Progressive label comes from two directions. The film frames the war itself as a machine of institutional cruelty, grinding up ordinary people for reasons that don't hold up to scrutiny. It also gives quiet, dignified weight to a same-sex relationship between soldiers, treating their bond as genuine and their loss as tragic. Balancing that, the story's emotional engine is old-fashioned romantic devotion and family loyalty.
Audrey Tautou • Gaspard Ulliel • Jodie Foster
The film's dominant anti-war sentiment and its critique of arbitrary military justice, emphasizing the human cost of institutional power, align with progressive values, despite the individualistic nature of the solution.
The movie features traditional casting, consistent with its historical setting and production context, without intentional race or gender swaps of established roles. Its narrative centers on themes of love and the impact of war, rather than explicitly critiquing traditional identities or incorporating DEI themes as central to its plot.
The film portrays a same-sex relationship between two soldiers, Benjamin Gordes and Lieutenant Thouvenel, with dignity and respect. Their tragic love is a central plot point, driving a major character's quest for revenge. The narrative validates the depth of their bond and the grief associated with its loss, without resorting to stereotypes or condemnation, thus affirming the worth of their queer lives and love.
The film strongly idealizes lifelong romantic commitment and fidelity as the foundation of a family unit, portraying an unwavering quest to reunite an engaged couple against overwhelming odds. It also depicts a supportive, loving extended family structure where parental authority and care are respected.
The film is set in a predominantly Catholic France during WWI, and Christian elements like churches, nuns, and traditional rites are part of the cultural backdrop. The protagonist, Mathilde, embodies an unwavering, almost miraculous hope and spiritual resilience in her quest, which, while not explicitly religious, aligns with virtues often associated with faith. The narrative treats these elements with respect and dignity, without critique.
The film 'A Very Long Engagement' does not feature any identifiable transsexual characters or explore themes related to transsexual identity. The narrative centers on a woman's determined search for her fiancé, presumed dead after World War I, and the various individuals she encounters during her investigation. No plot points or character arcs involve transsexual individuals or experiences, leading to a rating of N/A.
The movie does not contain any action or adventure elements.
The film is an adaptation of a novel. All significant characters in the film maintain the same gender as established in the original source material. No character canonically or historically established as one gender is portrayed as a different gender.
The film is an adaptation of a French novel set during and after World War I. All major characters, originally depicted or implicitly understood as white French individuals in the source material, are portrayed by white actors in the film, consistent with the historical setting.
Not depicted in the film.
Combines user and critic ratings from four sources























