6.7
Viewer Rating
Combines user and critic ratings from four sources
A Yank at Oxford (1938)
A Yank at Oxford (1938)
Overview
A brash young American aristocrat attending Oxford University gets a chance to prove himself and win the heart of his antagonist's sister.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
6.7
Overview
A brash young American aristocrat attending Oxford University gets a chance to prove himself and win the heart of his antagonist's sister.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film explores the cultural clash between an individualistic American student and the traditional British institution of Oxford, ultimately focusing on themes of personal growth, mutual understanding, and adaptation. Its narrative consciously balances competing viewpoints without explicitly promoting a specific political ideology.
This film from 1938 features traditional casting practices, predominantly showcasing mainstream actors without intentional race or gender swaps. Its narrative focuses on cultural adjustment and personal experiences, presenting traditional identities in a neutral or positive light without explicit critique.
Secondary
A Yank at Oxford does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on a heterosexual romance and the protagonist's adjustment to university life, resulting in no depiction of queer identity.
The film "A Yank at Oxford" (1938) does not feature any identifiable transsexual characters or themes. Its narrative focuses on an American student's experiences at Oxford University, including academic challenges, romance, and cultural adjustments, without engaging with transgender identity in any capacity.
The movie does not contain any action or adventure elements.
This film is an original story from 1938, not an adaptation of pre-existing material or a biopic. Therefore, no characters have a prior canonical or historical gender to be swapped from.
This 1938 film is an original story with no prior source material, historical figures, or previous adaptations that establish character races. Therefore, no character can be considered a 'race swap' according to the provided definition.
Viewer Rating Breakdown
User Ratings
6.6
6.7
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
6.9
Boom Town
(1940)
Political: Center
Diversity: Low
Leans Traditional
8.2
Funny Girl
(1968)
Political: Center
Diversity: Low
Leans Traditional
7.9
When Harry Met Sally...
(1989)
Political: Center
Diversity: Low
Traditional
7.1
The Young Victoria
(2009)
Political: Leans Right
Diversity: Low
Leans Traditional
7.6
Titanic
(1953)
Political: Center
Diversity: Low
Leans Traditional
7.0
Absence of Malice
(1981)
Political: Center
Diversity: Low
Leans Traditional
8.6
Eternal Sunshine of the Spotless Mind
(2004)
Political: Center
Diversity: Low
Leans Traditional
7.4
An Officer and a Gentleman
(1982)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.8
Something's Gotta Give
(2003)
Political: Center
Diversity: Low
Traditional
7.6
The Sound of Music
(1965)
Political: Leans Right
Diversity: Low
Leans Traditional
7.1
In Search of a Midnight Kiss
(2007)
Political: Center
Diversity: Low
Leans Traditional
7.5
Sarah, Plain and Tall
(1991)
Political: Center
Diversity: Low
Traditional
8.0
Wings
(1927)
Political: Leans Right
Diversity: Low
Leans Traditional
7.1
The Goodbye Girl
(1977)
Political: Center
Diversity: Low
Leans Traditional
6.9
In Good Company
(2004)
Political: Center
Diversity: Low
Traditional
8.1
The Quiet Man
(1952)
Political: Leans Right
Diversity: Low
Traditional
8.7
On the Waterfront
(1954)
Political: Leans Right
Diversity: Low
Leans Traditional
8.6
Badlands
(1974)
Political: Center
Diversity: Low
Leans Traditional
7.1
Confessions of a Dangerous Mind
(2002)
Political: Center
Diversity: Low
Leans Traditional
7.2
Forgetting Sarah Marshall
(2008)
Political: Center
Diversity: Low
LGBTQ: Neutral