Abidjan, port de pêche (1962)
Abidjan, port de pêche (1962)
Overview
Directed by Jean Rouch.
Starring Cast
Rating & Dimensions
Not Rated
Overview
Directed by Jean Rouch.
Starring Cast
Detailed Bias Analysis
Primary
This ethnographic documentary observes the daily life and traditional fishing practices in Abidjan without presenting a political problem or advocating for a specific ideological solution, thus maintaining a neutral stance.
This documentary portrays the daily life of fishermen in Abidjan, featuring the local population in their natural environment. The film's observational style focuses on the work and community at the port, rather than engaging with explicit DEI themes or critiquing traditional identities.
Secondary
The film, an ethnographic documentary, portrays Christian adherents as part of the daily fabric of life in Abidjan. Their practices and presence are depicted observationally, without critique, aligning with a respectful and nuanced view.
Islam is shown as an integral part of the community's life and culture, with its adherents depicted respectfully. The narrative frames Islamic practices as a natural and accepted aspect of the fishermen's existence.
Abidjan, port de pêche is an ethnographic documentary by Jean Rouch, observing the daily lives and work of fishermen in Abidjan, Ivory Coast. The film does not feature any identifiable LGBTQ+ characters or themes, as its focus is entirely on the social and economic aspects of the fishing community.
The film "Abidjan, port de pêche" is a 1962 documentary by Jean Rouch that chronicles the daily lives of fishermen in Abidjan. There are no identifiable transsexual characters or themes present in the narrative, resulting in no depiction to evaluate.
The movie does not contain any action or adventure elements.
The film is a documentary-style work depicting real people and activities at a fishing port. It does not feature pre-existing canonical or historical characters whose gender could be swapped.
This film is a documentary depicting the daily lives of fishermen in Abidjan, Côte d'Ivoire. It features real people, not fictional characters with pre-established canonical races from source material or history. Therefore, the concept of a 'race swap' does not apply.