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Combines user and critic ratings from four sources
TV Movie, Drama, Crime • 1979 • 100 min

This 1979 TV movie stars Elizabeth Montgomery as a divorced newswriter whose liberal worldview is shaken after she becomes a violent crime victim. Her recovery forces a hard look at beliefs she previously held without question. The Mixed label fits because the film pulls in two directions at once. The premise leans progressive: a woman reclaims agency after trauma, and the story centers her voice and legal pursuit of safety. But the framing stays grounded in personal consequence rather than social critique, and the family dynamics are treated with a traditional weight. No religious, LGBTQ, or race-related signals push the needle further either way. The tension between ideology and lived experience is the whole point.
Elizabeth Montgomery • James Sloyan • Sean Frye
This 1979 TV movie stars Elizabeth Montgomery as a divorced newswriter whose liberal worldview is shaken after she becomes a violent crime victim. Her recovery forces a hard look at beliefs she previously held without question. The Mixed label fits because the film pulls in two directions at once. The premise leans progressive: a woman reclaims agency after trauma, and the story centers her voice and legal pursuit of safety. But the framing stays grounded in personal consequence rather than social critique, and the family dynamics are treated with a traditional weight. No religious, LGBTQ, or race-related signals push the needle further either way. The tension between ideology and lived experience is the whole point.
Elizabeth Montgomery • James Sloyan • Sean Frye
The film's central narrative champions a woman's struggle against domestic violence and her pursuit of safety and legal protection, aligning with progressive values of victim empowerment and social justice.
The movie features a traditional cast for its era, with no apparent intentional race or gender swaps of established roles. Its narrative focuses on a personal drama without explicitly critiquing traditional identities or centering DEI themes.
The film portrays the tragic breakdown of a nuclear family due to the husband's war trauma, emphasizing the wife's struggle to protect her child. While circumstances force a departure from traditional roles and potentially lead to separation, the narrative frames this as a tragic necessity rather than an endorsement of progressive family norms.
The film does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on a woman's desperate search for her kidnapped daughter, with no elements related to queer identity or experiences present in the storyline.
The film Act of Violence (1979) focuses on a woman's investigation into her husband's death, revealing his secret homosexual life and involvement in blackmail. There are no identifiable transsexual characters or themes present in the narrative. The story primarily explores themes of hidden identity and crime within the context of homosexuality.
The movie does not contain any action or adventure elements.
The film "Act of Violence" (1979) is an original made-for-television movie. Its characters were created specifically for this production and do not derive from prior source material, historical records, or previous installments with established genders.
Act of Violence (1979) is an original television movie, not an adaptation of existing material with pre-established character races or a biopic of historical figures. All characters were created for this specific production, thus precluding any race swaps.
Not depicted in the film.
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