Viewer Rating
Combines user and critic ratings from four sources
Drama • 2019 • 96 min

Abla runs a modest local bakery from her home in Casablanca where she lives alone with her 8-year-old daughter Warda. Their routine of housework and homework is interrupted one day by a knock on the door. It is Samia, a young woman looking for a job and a roof over her head. The little girl is immediately taken with the newcomer, but her mother initially refuses to allow a pregnant stranger into their home. Gradually, however, Abla's resolve softens and Samia's arrival begins to offer all of them the prospect of a new life.
Lubna Azabal • Nisrin Erradi • Douae Belkhaouda
Abla runs a modest local bakery from her home in Casablanca where she lives alone with her 8-year-old daughter Warda. Their routine of housework and homework is interrupted one day by a knock on the door. It is Samia, a young woman looking for a job and a roof over her head. The little girl is immediately taken with the newcomer, but her mother initially refuses to allow a pregnant stranger into their home. Gradually, however, Abla's resolve softens and Samia's arrival begins to offer all of them the prospect of a new life.
Lubna Azabal • Nisrin Erradi • Douae Belkhaouda
The film champions female solidarity and individual autonomy by portraying women supporting each other against conservative societal judgment, particularly concerning unwed motherhood, which aligns with progressive values.
The movie features an authentic Moroccan cast, reflecting its cultural setting. Its narrative strongly focuses on the challenges faced by women in a conservative society, highlighting themes of female solidarity, resilience, and an implicit critique of traditional patriarchal norms.
The film strongly endorses progressive family values by celebrating a chosen family formed by a widowed mother, her daughter, and an unmarried pregnant woman, normalizing single motherhood and critiquing societal judgment against non-traditional family structures.
The film is set in a predominantly Muslim society, where conservative social norms rooted in Islamic culture lead to the ostracization of an unmarried pregnant woman. However, the narrative champions the virtues of compassion, female solidarity, and hospitality shown by the main characters, implicitly critiquing the harshness of societal judgment while affirming human connection and empathy.
The film 'Adam' (2019) does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on female solidarity, motherhood, and social challenges in Morocco, without exploring queer identities or relationships. Therefore, it falls under the 'No depiction' category.
The film 'Adam, 2019' does not feature any identifiable transsexual characters or themes. Its narrative centers on the bond between a widowed baker and a pregnant, homeless woman, exploring female solidarity and motherhood within a Moroccan context, as exemplified by the evolving relationship between Abla and Samia.
The movie does not contain any action or adventure elements.
The film "Adam" is an original story featuring newly created characters. There are no pre-existing characters from source material, history, or prior adaptations whose gender was altered for this production.
The film "Adam" (2019) is an original drama, not an adaptation of existing source material or a biopic. All characters were created for this specific production, thus lacking any prior established racial canon against which a race swap could occur.
Not depicted in the film.
Combines user and critic ratings from four sources























