Viewer Rating
Combines user and critic ratings from four sources

After the Hunt (2025)
A college professor finds herself at a personal and professional crossroads when a star pupil levels an accusation against one of her colleagues, and a dark secret from her own past threatens to come to light.
A college professor finds herself at a personal and professional crossroads when a star pupil levels an accusation against one of her colleagues, and a dark secret from her own past threatens to come to light.
The film receives a neutral rating as it deliberately engages with and critiques the complexities and performative aspects of both liberal and progressive ideologies, focusing on the clash of different viewpoints rather than advocating for a single political stance.
The movie features explicit diversity in its casting, including an African-American lead and a non-binary character, highlighting contemporary discussions around race and gender identity. However, its narrative offers a nuanced and often critical perspective on contemporary DEI culture, exploring moral ambiguities, generational conflicts, and the complexities of social justice issues without explicitly portraying traditional identities negatively.
The film presents LGBTQ+ characters and themes superficially, questioning the authenticity of queer identity and reducing it to a performative gesture. Maggie, a Black lesbian, and her nonbinary partner Alex appear in only two brief scenes, with their relationship unexplored. LGBTQ+ elements serve as peripheral context for broader social commentary, rather than offering genuine insight or affirming queer experience.
The film offers a positive and nuanced portrayal of its transgender character, Alex, by depicting them as a complex individual in a loving relationship, whose identity is not the central narrative focus. This approach normalizes trans lives and relationships, challenging stereotypes and providing visibility within a mainstream context.
The movie does not contain any action or adventure elements.
The film features original characters and is not an adaptation of existing source material or historical events. Consequently, no character has a pre-established canonical gender to be swapped from.
The film is an original screenplay with newly created characters, not an adaptation of existing source material. Therefore, there are no prior established character races from canon, history, or previous installments to compare against the casting choices, meaning no race swap occurred per the definition.
Combines user and critic ratings from four sources























