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Comedy, Romance • 1959 • 21 min

An early Jean-Luc Godard short from 1959, this 21-minute French comedy follows a charming womanizer named Patrick who, without knowing it, courts two young women who share an apartment. The setup is breezy and light, more interested in Parisian flirtation than in any social argument. The Leans Traditional label reflects what the film simply is: a product of late-1950s French cinema with conventional romantic dynamics, no political framing, no identity themes, and no challenge to existing social norms. The humor comes from coincidence rather than subversion. For Godard completists, it is a curio from just before the French New Wave broke open. For everyone else, it is a short, pleasant comedy with a one-joke premise.
Nicole Berger • Anne Collette • Jean-Claude Brialy
An early Jean-Luc Godard short from 1959, this 21-minute French comedy follows a charming womanizer named Patrick who, without knowing it, courts two young women who share an apartment. The setup is breezy and light, more interested in Parisian flirtation than in any social argument. The Leans Traditional label reflects what the film simply is: a product of late-1950s French cinema with conventional romantic dynamics, no political framing, no identity themes, and no challenge to existing social norms. The humor comes from coincidence rather than subversion. For Godard completists, it is a curio from just before the French New Wave broke open. For everyone else, it is a short, pleasant comedy with a one-joke premise.
Nicole Berger • Anne Collette • Jean-Claude Brialy
The film explores universal themes of youthful romance, flirtation, and the humorous coincidences of urban life, focusing on individual human interactions rather than advocating for specific political ideologies or societal reforms.
The film features traditional casting consistent with its 1959 production in France, without any explicit diversity-driven choices or non-traditional casting. The narrative focuses on light romantic themes and does not critique traditional identities or incorporate DEI themes.
The film focuses on two young women's independent romantic encounters and a lighthearted deception, with no meaningful portrayal of family units, marriage, parenting, or established family-life norms.
The film depicts the friendship between two young women and their shared romantic interest in a man named Patrick. The narrative does not feature any identifiable LGBTQ+ characters or explore LGBTQ+ themes.
The film 'All the Boys Are Called Patrick' does not feature any identifiable transgender characters or explore themes related to transsexual identity. Its narrative focuses on two young women navigating romantic encounters with the same man in Paris, exploring themes of youthful romance and mistaken identity.
The movie does not contain any action or adventure elements.
The film is an original short story featuring characters created specifically for this production. There is no prior source material, historical basis, or established canon for any character's gender to have been altered.
The film is an original short from 1959 with characters created for its screenplay. There is no prior source material or historical basis for its characters to establish a canonical race that could be altered.
Not depicted in the film.
Combines user and critic ratings from four sources























