Leans Progressive
8.0
Elite Squad: The Enemy Within
(2010)
Political: Strong Left
Diversity: Moderate
Anchieta Entre a Religião e o Amor (1932)
Anchieta Entre a Religião e o Amor (1932)
Overview
An indigenous woman fell in love with Father Anchieta, and even though the priest reciprocated her love, he did not want to give in to the temptation of the flesh.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Christianity: Positive
Viewer Rating
Not Rated
Overview
An indigenous woman fell in love with Father Anchieta, and even though the priest reciprocated her love, he did not want to give in to the temptation of the flesh.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's title, 'Anchieta Entre a Religião e o Amor,' strongly suggests a focus on the internal, personal conflict of a historical figure, balancing religious duty with human emotion, rather than explicitly promoting a specific political ideology or critiquing systemic issues.
The movie, focusing on a historical European figure in colonial Brazil, is assumed to feature traditional casting due to the absence of specific information regarding diversity initiatives. While the colonial setting could offer subtle critiques of traditional identities or practices, the narrative's specific framing regarding explicit DEI themes is not detailed.
Secondary
The film centers on José de Anchieta, a Jesuit missionary, exploring his internal conflict between his religious vows and human love. While depicting personal struggle, the narrative likely aims to humanize the historical figure and explore the demands of his faith, rather than condemn Christianity itself. The portrayal focuses on the complexities and sacrifices inherent in a life of religious devotion, ultimately affirming the significance of his commitment.
An evaluation of the film's LGBTQ+ portrayal is not possible as no narrative details or character information were provided for analysis.
The film 'Anchieta Entre a Religião e o Amor' is a historical drama focusing on the life of Jesuit priest José de Anchieta. Its narrative, characters, and themes do not include any identifiable transsexual individuals or related storylines, resulting in no depiction of transgender identity.
The movie does not contain any action or adventure elements.
The film is a historical drama about José de Anchieta, a well-documented male historical figure. There is no evidence or historical record suggesting that Anchieta or any other established character was portrayed by a different gender in this 1932 production.
The film is a historical drama about José de Anchieta, a Spanish Jesuit. There is no available information or historical record indicating that any canonically or historically established character, including Anchieta, was portrayed by an actor of a different race in this 1932 production.
More Like This
Leans Progressive
8.5
City of God
(2002)
Political: Leans Left
Diversity: Moderate
Progressive
7.8
Kiss of the Spider Woman
(1985)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Center
8.5
A Dog's Will
(2000)
Political: Center
Diversity: Moderate
Progressive
7.0
How Angels are Born
(1996)
Political: Leans Left
Diversity: High
Progressive
9.4
Sadness
(2010)
Political: Not Rated
Diversity: Not Rated
Center
8.7
Forever and Beyond
(1983)
Political: Center
Diversity: Moderate
Progressive
7.3
Carandiru
(2003)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Progressive
6.8
The Patient
(2018)
Political: Center
Diversity: Not Rated
Leans Progressive
6.9
Four Days in September
(1997)
Political: Leans Left
Diversity: Moderate
Leans Progressive
8.5
I'm Still Here
(2024)
Political: Strong Left
Diversity: Moderate
Traditional
9.0
Alvorada de Glória
(1931)
Political: Leans Right
Diversity: Low
Center
7.4
Caramelo
(2025)
Political: Center
Diversity: Moderate
Leans Traditional
6.9
Boca de Ouro
(1990)
Political: Center
Diversity: Low
Progressive
8.4
The Secret Agent
(2025)
Political: Strong Left
Diversity: High
Center
7.8
O Filho Adotivo
(1984)
Political: Center
Diversity: Moderate
Center
6.9
The Beauties of Billings
(1987)
Political: Center
Diversity: Moderate
Leans Progressive
7.8
Daisies
(1966)
Political: Strong Left
Diversity: Moderate
Leans Progressive
6.7
The Threesome
(2025)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Leans Traditional
6.9
Come Look at Me
(2000)
Political: Center
Diversity: Low