And Now They Call It Soul (1971)
And Now They Call It Soul (1971)
Overview
"This film surveys the influence of Africa and Black America on American popular music, beginning with African rhythms and chants before tracing the evolution of American music from spirituals, jubilee, blues, ragtime, gospel, jazz, and soul. The film was hosted by [Liberian disc jockey] Yvonne Barclay," who was among the most popular radio hosts on the Voice of America (VOA) airwaves during the Cold War (US National Archives).
Starring Cast
Rating & Dimensions
Not Rated
Overview
"This film surveys the influence of Africa and Black America on American popular music, beginning with African rhythms and chants before tracing the evolution of American music from spirituals, jubilee, blues, ragtime, gospel, jazz, and soul. The film was hosted by [Liberian disc jockey] Yvonne Barclay," who was among the most popular radio hosts on the Voice of America (VOA) airwaves during the Cold War (US National Archives).
Starring Cast
Detailed Bias Analysis
Primary
The film is rated as neutral due to the complete absence of information regarding its content, plot, or themes, making it impossible to identify any specific political leanings or ideological context.
A comprehensive Diversity, Equity, and Inclusion (DEI) evaluation for the movie 'The Board' cannot be completed. The prompt did not provide the necessary details about the movie's content, such as its plot, character descriptions, or casting choices, which are essential for analyzing representation and narrative framing.
Secondary
Based on the information provided, there are no identifiable LGBTQ+ characters or themes within 'The Board'. Therefore, an evaluation of its portrayal of LGBTQ+ elements is not applicable.
Based on available information for "Bomb Threat!: Plan, Don't Panic," there are no identifiable transsexual characters or themes present. Therefore, the film's net impact on the portrayal of transsexual individuals is not applicable.
The movie does not contain any action or adventure elements.
There is no indication of pre-existing source material, historical figures, or prior adaptations for 'The Board' (1971). Therefore, all characters are considered original to this film, and no gender swap can be identified against established canon.
The prompt provides no information regarding the film's source material, specific characters, or their established racial identities. Without this crucial context, it is impossible to determine if any character was race-swapped.