Viewer Rating
Combines user and critic ratings from four sources
Crime, Thriller, Action, Drama • 2015 • 134 min • Adults (18+)

Badlapur is a dark Hindi revenge thriller directed by Sriram Raghavan, following a man whose grief over losing his family to senseless violence twists him into something he may not recognize. The film earns its NC-17 rating through unflinching moral ambiguity rather than ideology. Its Leans Traditional label comes from where the story's emotional weight sits: a destroyed nuclear family is the tragedy that sets everything in motion, and that loss is treated as a genuine catastrophe, not a starting point for liberation. The revenge cycle raises questions about guilt and justice without pushing a political answer. Religion, DEI concerns, and gender politics are absent from the conversation entirely.
Varun Dhawan • Nawazuddin Siddiqui • Yami Gautam
Badlapur is a dark Hindi revenge thriller directed by Sriram Raghavan, following a man whose grief over losing his family to senseless violence twists him into something he may not recognize. The film earns its NC-17 rating through unflinching moral ambiguity rather than ideology. Its Leans Traditional label comes from where the story's emotional weight sits: a destroyed nuclear family is the tragedy that sets everything in motion, and that loss is treated as a genuine catastrophe, not a starting point for liberation. The revenge cycle raises questions about guilt and justice without pushing a political answer. Religion, DEI concerns, and gender politics are absent from the conversation entirely.
Varun Dhawan • Nawazuddin Siddiqui • Yami Gautam
The film explores the psychological and moral complexities of revenge, depicting the destructive transformation of individuals caught in a cycle of violence. It focuses on universal human themes without advocating for a specific political ideology or societal solution.
The movie features traditional casting for an Indian production, with no explicit race or gender swaps of roles. Its narrative focuses on themes of revenge and morality, without critically portraying traditional identities or making DEI themes central to its plot.
Badlapur includes Harman, a transgender woman, as a supporting character. She is portrayed as an independent and resourceful individual who aids the protagonist by providing crucial information. Her trans identity is present but not central to the narrative, nor is it used for mockery or explicit affirmation, resulting in a neutral overall portrayal.
The film portrays the destruction of a loving, traditional nuclear family as the central tragedy, driving the protagonist's descent. While subsequent relationships are non-traditional, they are depicted as consequences of this loss rather than positive alternatives, subtly favoring traditional family structures as an ideal.
Badlapur is a revenge thriller centered on a man's quest for vengeance after the murder of his family. The narrative explores themes of justice, morality, and guilt through its primary characters and their heterosexual relationships. The film does not feature any identifiable LGBTQ+ characters, relationships, or themes within its storyline.
The film does not depict any female character engaging in or winning direct physical combat against one or more male opponents. Female characters are present but are not involved in action sequences that meet the specified criteria.
Badlapur is an original story and not an adaptation of any prior work or historical event. All characters introduced in the film are new and original, thus there are no pre-established characters whose gender could have been altered.
Badlapur is an original film that introduces its own characters. There are no pre-existing canonical or historically established characters whose race could have been altered for this production.
The protagonist and other characters are implicitly Hindu based on cultural context, but the film does not explore Hindu religious practices, beliefs, or their influence on the characters' actions or morality. Any presence is background detail only, with no significant narrative weight.
Combines user and critic ratings from four sources























