3.8
Viewer Rating
Combines user and critic ratings from four sources
Baggage Claim (2013)
Baggage Claim (2013)
Overview
Although she has traveled all over the world, flight attendant Montana Moore has yet to find a man with whom she wants to settle down. However, with her sister's upcoming wedding and pressure from her oft-married mother, she's determined to get engaged in the next 30 days. In that time, her best friends (and fellow flight attendants) conspire to help her re-encounter her exes as she flies all over the country.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Viewer Rating
3.8
Overview
Although she has traveled all over the world, flight attendant Montana Moore has yet to find a man with whom she wants to settle down. However, with her sister's upcoming wedding and pressure from her oft-married mother, she's determined to get engaged in the next 30 days. In that time, her best friends (and fellow flight attendants) conspire to help her re-encounter her exes as she flies all over the country.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The film explores a woman's journey to find love under societal pressure, ultimately championing individual choice and genuine connection within the traditional framework of romantic relationships and marriage. Its focus on personal fulfillment through a conventional romantic outcome, balanced with a mild critique of external pressures, results in a neutral political stance.
The movie features a predominantly Black cast, showcasing visible diversity without explicitly recasting traditionally white roles. Its narrative focuses on a romantic comedy plot, presenting traditional identities neutrally or positively without explicit critique or strong DEI themes central to the story.
Secondary
The film "Baggage Claim" primarily focuses on heterosexual romantic relationships and the protagonist's search for a partner. There are no identifiable LGBTQ+ characters or themes present within its narrative or subplots.
The film "Baggage Claim" does not feature any identifiable transsexual characters or themes within its narrative. Consequently, there is no portrayal to evaluate regarding transgender identity or experiences.
The movie does not contain any action or adventure elements.
The film "Baggage Claim" is an adaptation of David E. Talbert's novel of the same name. All major characters in the film retain the same gender as established in the source novel, with no instances of a character's gender being changed.
The film "Baggage Claim" is an adaptation of a novel by David E. Talbert, an African-American author. Both the novel and the film feature a predominantly Black cast, with characters' races consistent between the source material and the screen portrayal. No characters established as one race in the novel were portrayed as a different race in the film.
Viewer Rating Breakdown
User Ratings
5.1
5.3
Critic Ratings
1.6
3.4
More Like This
Progressive
7.7
Hairspray
(2007)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Traditional
8.1
Groundhog Day
(1993)
Political: Center
Diversity: Low
Center
6.9
Mamma Mia! Here We Go Again
(2018)
Political: Center
Diversity: Moderate
LGBTQ: Neutral
Center
7.2
Stranger Than Fiction
(2006)
Political: Center
Diversity: Moderate
Leans Traditional
7.4
A Midsummer Night's Dream
(1935)
Political: Center
Diversity: Low
Traditional
8.2
Forrest Gump
(1994)
Political: Leans Right
Diversity: Low
Leans Traditional
7.4
Tom, Dick and Harry
(1941)
Political: Center
Diversity: Low
Leans Traditional
7.0
Maggie Simpson in "Playdate with Destiny"
(2020)
Political: Center
Diversity: Low
Progressive
7.5
Torch Song Trilogy
(1988)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Traditional
7.0
The Mask
(1994)
Political: Center
Diversity: Low
Leans Traditional
7.6
Kiss Me Kate
(1953)
Political: Center
Diversity: Low
Leans Progressive
7.2
Always Be My Maybe
(2019)
Political: Center
Diversity: High
Leans Progressive
6.7
The Threesome
(2025)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Leans Traditional
8.4
The General
(1926)
Political: Center
Diversity: Low
Traditional
7.1
Plus One at an Amish Wedding
(2022)
Political: Leans Right
Diversity: Low
Leans Traditional
6.8
The Dressmaker from Paris
(1925)
Political: Center
Diversity: Low
Leans Traditional
8.6
La La Land
(2016)
Political: Center
Diversity: Low
Leans Traditional
7.0
Hello, My Name Is Doris
(2015)
Political: Center
Diversity: Low
Progressive
7.6
Crazy Rich Asians
(2018)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Leans Traditional
7.9
High Fidelity
(2000)
Political: Center
Diversity: Low