Viewer Rating
Combines user and critic ratings from four sources

Beat the Devil (1953)
A group of con artists stake their claim on a bogus uranium mine.
A group of con artists stake their claim on a bogus uranium mine.
The film is a comedic satire primarily focused on universal human foibles like greed and incompetence, rather than engaging with specific political ideologies or systems. Its central conflict, a farcical caper, is largely apolitical.
The film features a traditional cast for its era, primarily consisting of white actors in leading roles, with no evidence of intentional diversity-driven casting. The narrative does not appear to critique traditional identities or incorporate explicit DEI themes, aligning with typical cinematic portrayals from the 1950s.
The film 'Beat the Devil' does not feature any discernible LGBTQ+ characters or themes. Its narrative focuses on a group of adventurers and con artists in Italy, with no elements related to queer identity or experiences.
Beat the Devil (1953) does not feature any identifiable transsexual characters or themes. The film's plot, which follows a group of individuals involved in a uranium scheme, contains no narrative elements or character portrayals related to transsexual identity, resulting in an N/A rating for its depiction.
The film is a satirical adventure comedy focused on dialogue, character interactions, and a convoluted plot involving a group of swindlers. Female characters Gwendolen Chelm and Maria Dannreuther are central to the narrative but do not engage in or win direct physical combat against male opponents.
The 1953 film "Beat the Devil" is an adaptation of the novel by James Helvick. There is no documented evidence or widely known information suggesting that any major character's gender was changed from the source material for the film adaptation.
Beat the Devil (1953) is an adaptation of a novel. There is no evidence that any character, canonically established as one race in the source material, was portrayed by an actor of a different race in the film.
Combines user and critic ratings from four sources























