5.0
Viewer Rating
Combines user and critic ratings from four sources
Boy Meets Girl (2016)
Boy Meets Girl (2016)
Overview
I will call you! So you better answer your phone! In the year 2020, a homestay is being conducted for male and female teenagers in preparation for a union between North Korea and South Korea. North Korean girl Ha-jin goes to South Korean boy Woo-yeong's house to homestay. Woo-yeong starts to bully Ha-jin who has taken his room, but alas! First love has found its way to these children. Woo-yeong runs away to Seoul with Ha-jin to help her meet her father.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Trans: Positive
Viewer Rating
5.0
Overview
I will call you! So you better answer your phone! In the year 2020, a homestay is being conducted for male and female teenagers in preparation for a union between North Korea and South Korea. North Korean girl Ha-jin goes to South Korean boy Woo-yeong's house to homestay. Woo-yeong starts to bully Ha-jin who has taken his room, but alas! First love has found its way to these children. Woo-yeong runs away to Seoul with Ha-jin to help her meet her father.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film explores universal themes of loneliness and the search for human connection, presenting an apolitical narrative where personal relationships serve as the solution to individual emotional struggles.
The film features a cast that is diverse from a global perspective, consistent with its likely cultural origin, without explicit DEI-driven recasting of traditionally white roles. The narrative does not appear to critically portray traditional identities or center on explicit DEI themes.
Secondary
The film offers a sensitive and empathetic portrayal of a transsexual character, Eun-ha, and her relationship with Min-su. It explores themes of acceptance and understanding, depicting their challenges as external, while affirming the worth of trans lives and love.
The film 'Boy Meets Girl' by director Jang Eun-yeon does not feature identifiable LGBTQ+ characters or themes. Consequently, there is no specific portrayal to evaluate within the scope of this framework, resulting in an N/A rating for its net impact on LGBTQ+ representation.
The film "Boy Meets Girl" is a romantic drama centered on the relationship between a young man and woman. Based on available plot summaries and reviews, the film does not feature any physical combat scenes, and therefore, no instances of a female character defeating male opponents in close-quarters combat are present.
The provided information for "Boy Meets Girl" (2016) does not indicate it is an adaptation, reboot, or biopic with pre-existing characters or historical figures. Without a specified source material or prior canon, there is no baseline to determine if any character's gender has been swapped.
The provided information does not include any source material, prior adaptations, or historical context for the film "Boy Meets Girl" (2016). Without an established canonical or historical race for its characters, it is not possible to identify a race swap according to the given definition.
Viewer Rating Breakdown
User Ratings
N/A
5.0
Critic Ratings
N/A
N/A
More Like This
Leans Progressive
6.9
The Front Line
(2011)
Political: Leans Left
Diversity: Moderate
Center
7.8
Love Untangled
(2025)
Political: Center
Diversity: Moderate
Center
7.7
My Sassy Girl
(2001)
Political: Center
Diversity: Moderate
Leans Traditional
8.0
Midnight Sun (musical)
(2021)
Political: Center
Diversity: Low
Leans Traditional
7.6
The Admiral: Roaring Currents
(2014)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.0
Be with You
(2018)
Political: Center
Diversity: Low
Center
7.1
Windstruck
(2004)
Political: Center
Diversity: Moderate
Leans Traditional
7.0
The Warrior
(2001)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.6
Hansan: Rising Dragon
(2022)
Political: Leans Right
Diversity: Moderate
Center
8.0
Welcome to Dongmakgol
(2005)
Political: Center
Diversity: Moderate
Center
7.1
Love 911
(2012)
Political: Center
Diversity: Moderate
Leans Progressive
7.1
The Last Witness
(1980)
Political: Strong Left
Diversity: Low
Progressive
8.6
The Handmaiden
(2016)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Center
6.6
The Fortress
(2017)
Political: Center
Diversity: Moderate
Center
6.8
Josée
(2020)
Political: Center
Diversity: Moderate
Center
7.3
Along with the Gods: The Two Worlds
(2017)
Political: Leans Right
Diversity: Moderate
Center
7.7
Escape from Mogadishu
(2021)
Political: Center
Diversity: Moderate
Leans Traditional
7.3
On Your Wedding Day
(2018)
Political: Center
Diversity: Low
Progressive
6.7
The Battleship Island
(2017)
Political: Strong Left
Diversity: High
Leans Progressive
6.9
The Last Princess
(2016)
Political: Leans Left
Diversity: Moderate