8.7
Viewer Rating
Combines user and critic ratings from four sources
Bride of Frankenstein (1935)
Bride of Frankenstein (1935)
Overview
Dr. Frankenstein and his monster both turn out to be alive after being attacked by an angry mob. The now-chastened scientist attempts to escape his past, but a former mentor forces him to assist with the creation of a new creature.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Center
Diversity: Low
LGBTQ: Negative
Christianity: Positive
Viewer Rating
8.7
Overview
Dr. Frankenstein and his monster both turn out to be alive after being attacked by an angry mob. The now-chastened scientist attempts to escape his past, but a former mentor forces him to assist with the creation of a new creature.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film explores universal themes of loneliness, societal rejection, and scientific hubris, critiquing both the intolerance of the mob and the unchecked ambition of its creators without explicitly promoting a specific political ideology.
This 1935 film features a cast predominantly composed of white actors, reflecting the traditional casting practices of its era without any intentional diversity-driven recasting. The narrative explores themes of scientific ambition and the consequences of playing God, focusing on individual character flaws rather than offering a critique of traditional identities or incorporating explicit DEI themes.
Secondary
Bride of Frankenstein features Dr. Pretorius, a character widely interpreted as queer-coded due to his flamboyant nature, lack of interest in women, and intense, manipulative relationship with Henry Frankenstein. While complex, Pretorius serves as an antagonist whose influence leads to destruction and his own demise, associating his coded identity with villainy and a tragic outcome rather than affirmation.
The film critiques the superstitious fear and mob violence, often framed in religious terms, exhibited by the villagers. This is contrasted with the genuine compassion and charity shown by the blind hermit, whose actions align with core Christian virtues. The narrative condemns bigotry and prejudice while affirming the positive aspects of faith.
Bride of Frankenstein does not feature any identifiable transsexual characters or themes. The story centers on classic horror elements of scientific creation and the monster's search for companionship, making the portrayal of transsexual issues N/A.
The movie does not contain any action or adventure elements.
The film introduces new characters, such as the titular Bride, who are created as female within the narrative. Existing characters from the prior film or source material maintain their established genders. No character established as one gender in prior canon is portrayed as a different gender.
The film is a direct sequel to Frankenstein (1931) and features characters consistent with their prior portrayals or new characters without established racial baselines. No character canonically or widely established as one race is depicted as a different race.
Viewer Rating Breakdown
User Ratings
7.8
7.5
Critic Ratings
9.8
9.5
More Like This
Leans Traditional
8.4
Frankenstein
(1931)
Political: Center
Diversity: Low
Leans Traditional
8.3
The Invisible Man
(1933)
Political: Center
Diversity: Low
Leans Traditional
8.5
Invasion of the Body Snatchers
(1956)
Political: Center
Diversity: Low
Leans Traditional
6.9
Phantasm
(1979)
Political: Center
Diversity: Low
Leans Traditional
7.7
A Quiet Place Part II
(2021)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Fly
(1958)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Black Cat
(1934)
Political: Center
Diversity: Low
Leans Traditional
7.9
Invasion of the Body Snatchers
(1978)
Political: Center
Diversity: Low
Leans Traditional
7.4
The Beast from 20,000 Fathoms
(1953)
Political: Center
Diversity: Low
Leans Traditional
8.0
Eraserhead
(1977)
Political: Center
Diversity: Low
Leans Traditional
6.9
Overlord
(2018)
Political: Leans Right
Diversity: Moderate
Traditional
8.2
A Quiet Place
(2018)
Political: Leans Right
Diversity: Low
Leans Traditional
8.2
Dr. Jekyll and Mr. Hyde
(1931)
Political: Center
Diversity: Low
Leans Traditional
7.2
The Raven
(1963)
Political: Center
Diversity: Low
Leans Traditional
7.1
A Quiet Place: Day One
(2024)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.7
10 Cloverfield Lane
(2016)
Political: Center
Diversity: Low
Center
6.7
The Ring
(2002)
Political: Center
Diversity: Low
Leans Traditional
7.1
Innerspace
(1987)
Political: Center
Diversity: Low
Leans Traditional
7.8
The Others
(2001)
Political: Center
Diversity: Low
Leans Traditional
7.3
The Early 70's Horror Trailer
(1999)
Political: Center
Diversity: Low