Leans Progressive
8.3
How to Make Millions Before Grandma Dies
(2024)
Political: Leans Left
Diversity: Moderate
Brothers (1951)
Brothers (1951)
Overview
During their one-year prison sentence, Chop and Yai made up their minds to turn over a new leaf for the sake of their families, unlike Ying who declared he would return to a life of crime. The three went their separate ways. Chop returned home to find his family’s situation deteriorating. His mother had fallen ill, his younger brother Chai was a struggling scriptwriter with no sales, and his sister Chatcharee, who worked at a bar, had become the target of the bar owner, Damrongrit.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Strong Left
Diversity: Moderate
Viewer Rating
Not Rated
Overview
During their one-year prison sentence, Chop and Yai made up their minds to turn over a new leaf for the sake of their families, unlike Ying who declared he would return to a life of crime. The three went their separate ways. Chop returned home to find his family’s situation deteriorating. His mother had fallen ill, his younger brother Chai was a struggling scriptwriter with no sales, and his sister Chatcharee, who worked at a bar, had become the target of the bar owner, Damrongrit.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
As a Soviet newsreel, the film explicitly promotes the foundational tenets of communist/socialist ideology, emphasizing collectivism, state planning, and the achievements of the working class under the Soviet system. Its central thesis aligns with a clearly left-wing political stance, advocating for systemic change and anti-capitalist principles.
This Soviet-era newsreel exhibits light DEI characteristics. Its representation reflects a natural visible diversity among its subjects, consistent with documenting various aspects of Soviet society, rather than through explicit DEI-driven casting or intentional role swaps. The narrative maintains a neutral to positive framing of traditional identities, aligning with the typical presentation of Soviet citizens and values, and does not feature explicit critiques central to modern DEI themes.
Secondary
The film 'Newsreels No. 58' is a Soviet newsreel, a genre primarily focused on factual events and propaganda rather than narrative character development or explicit social themes. No identifiable LGBTQ+ characters or themes are present in the content.
Based on available information, the 1952 film '{Laßt uns auch leben}' does not appear to feature any identifiable transsexual characters or themes. Plot summaries primarily describe a romantic drama about a couple overcoming societal challenges, with no indication of gender identity as a central or peripheral element.
The movie does not contain any action or adventure elements.
Newsreels are documentary-style films reporting on real events and people. They do not typically feature fictional characters with established canonical genders or reinterpret historical figures in a way that would constitute a gender swap.
Newsreels are documentary compilations of actual events and people, not narrative films with fictional characters or adaptations of source material. The concept of a 'race swap' does not apply to this genre.
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