Leans Traditional
7.0
Antoine & Antoinette
(1947)
Political: Center
Diversity: Low
China Versus Allied Powers (1900)
China Versus Allied Powers (1900)
Overview
A magician presents a circular piece of paper from which he removes the flags of the allies. Then from each flag he produces a soldier from the respective country, and finally he produces a Chinaman. But hardly have the allies seen the latter than they pounce on him and try to cut him into pieces. The funniest part of our story is that the Chinaman escapes in a balloon, with an expression of childish innocence on his face as the allies try to cut him up.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
A magician presents a circular piece of paper from which he removes the flags of the allies. Then from each flag he produces a soldier from the respective country, and finally he produces a Chinaman. But hardly have the allies seen the latter than they pounce on him and try to cut him into pieces. The funniest part of our story is that the Chinaman escapes in a balloon, with an expression of childish innocence on his face as the allies try to cut him up.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is a commercial advertisement for a consumer product, Dewar's Scotch Whisky, and lacks any discernible political agenda or thematic conflict, making its subject matter inherently apolitical.
This early 20th-century advertisement for Dewar's Scotch Whisky features traditional casting, consistent with the societal norms of its production era. The narrative focuses solely on product promotion, without engaging in any critique of traditional identities or incorporating themes related to diversity, equity, or inclusion.
Secondary
This early short film, a promotional piece for Dewar's Scotch Whisky, does not feature any identifiable LGBTQ+ characters or themes. Produced in an era when such depictions were rare, its content is solely focused on promoting the product, leading to a net impact of N/A.
Happy Hooligan, an early animated short, does not contain any discernible transsexual characters or themes. The narrative focuses on the titular character's comedic misadventures without addressing gender identity or related topics.
The movie does not contain any action or adventure elements.
This early film is a short, likely promotional piece, and does not feature characters with established canonical or historical genders from any source material. Therefore, no gender swap can be identified.
This 1900 film is an original production, likely a short advertisement, with no pre-existing source material, historical figures, or established characters whose race could be canonically altered. Therefore, no race swap occurs.
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