Progressive
6.9
Kalki 2898-AD
(2024)
Political: Strong Left
Diversity: High
Civil Marriage (1940)
Civil Marriage (1940)
Overview
Two devoted sisters find themselves in love with the same man, and in an act of sacrifice, one lets the other marry him. Life seems settled until a newcomer—a man with progressive, socialist ideals—arrives, challenging their traditional outlook and stirring emotions long buried. His presence forces both women to confront their feelings, question the choices they’ve made, and navigate the tension between duty, personal happiness, and changing social values, culminating in a quiet yet emotionally charged resolution.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Leans Left
Diversity: Moderate
Hinduism: Negative
Islam: Negative
Viewer Rating
Not Rated
Overview
Two devoted sisters find themselves in love with the same man, and in an act of sacrifice, one lets the other marry him. Life seems settled until a newcomer—a man with progressive, socialist ideals—arrives, challenging their traditional outlook and stirring emotions long buried. His presence forces both women to confront their feelings, question the choices they’ve made, and navigate the tension between duty, personal happiness, and changing social values, culminating in a quiet yet emotionally charged resolution.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's focus on 'Civil Marriage' inherently explores themes of individual autonomy and secular legal frameworks, often in contrast to traditional or religious marital norms, thus aligning its dominant themes with progressive values.
The movie features an Indian cast, which provides visible diversity when viewed from a Western perspective, but does not involve explicit race or gender swaps of traditionally white roles. Its narrative, while potentially exploring social issues related to marriage within its cultural context, does not explicitly critique traditional Western identities.
Secondary
The film critiques traditional Hindu marriage customs and societal norms, such as caste-based restrictions and opposition to inter-religious unions, portraying them as obstacles to individual freedom and happiness. The narrative champions civil marriage as a progressive alternative, implicitly framing these religious institutions as problematic.
The film critiques traditional Islamic marriage customs and community resistance to inter-religious unions, portraying them as restrictive. By advocating for civil marriage, the narrative frames these religious institutions as creating barriers to personal choice and social harmony.
Based on the provided input, there is no information available regarding the film's content, plot, or characters. Therefore, an evaluation of its portrayal of LGBTQ+ themes or characters cannot be conducted.
The film 'Civil Marriage' by Ramchandra Thakur is a Nepali social drama that explores the complexities and societal challenges faced by a couple in an inter-caste marriage. Based on all available information, there is no indication that the film features any transsexual characters or addresses related themes, leading to an N/A rating for transsexual portrayal.
The movie does not contain any action or adventure elements.
Information regarding the source material or any pre-existing canonical characters for the 1940 film "Civil Marriage" is not available. Without a baseline for character genders, it is not possible to identify any instances of gender swaps.
There is no evidence to suggest that "Civil Marriage" (1940), an Indian film, adapted characters from source material or historical records that established them as a different race than portrayed on screen. The film's characters align with its cultural context.
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