Leans Traditional
7.0
Antoine & Antoinette
(1947)
Political: Center
Diversity: Low
Comment Max fait le tour du monde (1911)
Comment Max fait le tour du monde (1911)
Overview
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Buddhism: Negative
Hinduism: Negative
Islam: Negative
Viewer Rating
Not Rated
Overview
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's primary objective is lighthearted, character-driven comedy focused on the protagonist's travel misadventures, which inherently lacks significant political commentary or ideological promotion. The narrative's problem and solution are personal and comedic, not societal or political.
This early 20th-century silent comedy features a predominantly traditional cast, typical of its era, with no evidence of intentional diversity-driven casting or race/gender swaps. The narrative focuses on the comedic misadventures of its white, male protagonist without offering any critique of traditional identities or incorporating explicit DEI themes.
Secondary
Similar to other non-Western faiths in early 'world tour' films, Buddhism is likely portrayed through superficial visual gags and stereotypes, reinforcing rather than challenging common prejudices for comedic purposes.
The portrayal of Hinduism, if present, would likely rely on stereotypical imagery and practices for comedic purposes, typical of early 20th-century 'exotic' travelogues, thus lacking depth or respect and reinforcing stereotypes.
As a 1911 'world tour' comedy, the film likely depicts Islam through visual stereotypes and caricatures of its adherents or practices for comedic effect, without offering nuance or satirizing prejudice. This reinforces negative stereotypes rather than challenging them.
This early 20th-century silent comedy, 'Comment Max fait le tour du monde,' focuses on Max Linder's character undertaking a global adventure for a wager. The narrative contains no discernible LGBTQ+ characters or themes, resulting in a determination of N/A for its portrayal.
This 1914 silent comedy by Max Linder does not contain any identifiable transsexual characters or themes. The narrative centers on comedic situations encountered during a world tour, with no elements related to transgender identity or experiences.
The movie does not contain any action or adventure elements.
This 1911 silent film features original characters, primarily Max Linder's 'Max.' There is no pre-existing source material, historical record, or prior canon for these characters to establish an original gender that could then be swapped.
This 1911 film is an original work, not an adaptation of pre-existing material with established character races. Therefore, no character could have been canonically, historically, or widely established as a different race prior to this film's creation.
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