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Documentary • 2024 • 134 min

Perhaps at first glance, the filmography of Silvio Narizzano appears unremarkable. Thanks to his sleeper hit Georgy Girl (1966), he's known largely as a "one-hit wonder" director. Upon closer inspection, however, likely no other filmmaker used cinema as effectively to exorcise personal demons in ways both ugly and beautiful. And few directors' sensibilities were more gay, both overtly and covertly. Film historian Daniel Kremer is your tour guide through an obscure, perplexing body of work heretofore ignored and often unfairly shunned. Cruel, Usual, Necessary: The Passion of Silvio Narizzano is an essay documentary of discovery.
Silvio Narizzano • Daniel Kremer • Jon Jost
Perhaps at first glance, the filmography of Silvio Narizzano appears unremarkable. Thanks to his sleeper hit Georgy Girl (1966), he's known largely as a "one-hit wonder" director. Upon closer inspection, however, likely no other filmmaker used cinema as effectively to exorcise personal demons in ways both ugly and beautiful. And few directors' sensibilities were more gay, both overtly and covertly. Film historian Daniel Kremer is your tour guide through an obscure, perplexing body of work heretofore ignored and often unfairly shunned. Cruel, Usual, Necessary: The Passion of Silvio Narizzano is an essay documentary of discovery.
Silvio Narizzano • Daniel Kremer • Jon Jost
The available details about the film's narrative and content are not sufficient to assess its political bias or identify dominant themes.
The film utilizes traditional casting choices, and its narrative does not focus on critiquing traditional identities or explicitly promoting diversity, equity, and inclusion themes.
There is not enough publicly available information for AI to assess this category for this movie.
There is not enough publicly available information for AI to assess this category for this movie.
The movie does not contain any action or adventure elements.
Cruel, Usual, Necessary: The Passion of Silvio Narizzano is a film centered on the life and work of the male director Silvio Narizzano. The production does not feature any characters who were historically or canonically established as one gender and are portrayed on screen as a different gender.
Silvio Narizzano was a real historical figure, documented as white. This film, which centers on his life, features him directly. There is no indication of an actor portraying him as a different race, therefore no race swap occurs.
There is not enough publicly available information for AI to assess this category for this movie.
Combines user and critic ratings from four sources






















