Leans Traditional
6.8
Egy Kerecsen Solyom Törtenete
(1951)
Political: Center
Diversity: Low
Cyclistes dans le jardin de la villa Lavanchy-Clarke (1902)
Cyclistes dans le jardin de la villa Lavanchy-Clarke (1902)
Overview
The bicycle was still a novelty at the beginning of the 20th century. At the Villa Belle Rive in Cannes, the Lavanchy-Clarke family engage with it cyclically, with gaps in the film in order to convey a sense of the laps.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
The bicycle was still a novelty at the beginning of the 20th century. At the Villa Belle Rive in Cannes, the Lavanchy-Clarke family engage with it cyclically, with gaps in the film in order to convey a sense of the laps.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film depicts a simple, observational scene of people cycling in a garden, lacking any discernible narrative, conflict, or thematic elements that could be interpreted through a political lens. Its subject matter is entirely apolitical, leading to a neutral rating.
This early observational film, depicting cyclists in a garden, features incidental casting typical of its era, without any intentional diversity initiatives. The narrative is purely descriptive, lacking any thematic elements that critique traditional identities or explicitly engage with diversity, equity, and inclusion themes.
Secondary
Without any provided plot or character information for 'Cyclistes dans le jardin de la villa Lavanchy-Clarke', it is impossible to evaluate the presence or portrayal of LGBTQ+ characters and themes. Therefore, the net impact is rated as N/A.
This early silent film, depicting cyclists in a garden, does not contain any identifiable transsexual characters or themes. Its focus is on a simple, observational scene, predating the development of complex character narratives involving gender identity.
The movie does not contain any action or adventure elements.
This 1902 film is an early actualité or documentary-style piece depicting cyclists. There is no evidence of pre-existing source material, historical figures, or legacy characters with established genders that could be subject to a gender swap.
This 1902 film is a very early, short piece likely depicting real people or simple, unnamed characters without any established source material, historical figures, or prior canon. Therefore, the concept of a 'race swap' does not apply.
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