Leans Progressive
8.0
The Big Short
(2015)
Political: Strong Left
Diversity: Low
Damaged (1999)
Damaged (1999)
Overview
A retrospective based on an introspective vision, this stream of still pictures, unfolding to the rhythm of the voice-over (delivered by Steve Reinke), portrays a man who visually exposes his psychological “faults.” Recounting eighteen decisive moments in his life, and dissecting both his genetic and cultural heritage, the work delimits a transitory space in which each image crystallizes one of these indistinct marking points. Bringing together a number of collectively shared experiences, Damaged presents a series of significant events — some pleasant, others less so — evincing the complexity of the stages of life and offering models of childhood, sexuality and adulthood that denounce the transmission and acculturation of stigmatized identities. —Karl-Gilbert Murray, FIFA Catalogue
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Progressive
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Trans: Positive
Viewer Rating
Not Rated
Overview
A retrospective based on an introspective vision, this stream of still pictures, unfolding to the rhythm of the voice-over (delivered by Steve Reinke), portrays a man who visually exposes his psychological “faults.” Recounting eighteen decisive moments in his life, and dissecting both his genetic and cultural heritage, the work delimits a transitory space in which each image crystallizes one of these indistinct marking points. Bringing together a number of collectively shared experiences, Damaged presents a series of significant events — some pleasant, others less so — evincing the complexity of the stages of life and offering models of childhood, sexuality and adulthood that denounce the transmission and acculturation of stigmatized identities. —Karl-Gilbert Murray, FIFA Catalogue
Starring Cast
Detailed Bias Analysis
Analyzing...
Progressive
Primary
The film's central thesis explicitly promotes progressive ideology by critiquing systemic neglect during the AIDS crisis and highlighting the suffering and resilience of the LGBTQ+ community, aligning with calls for social justice and historical recognition.
The experimental, found-footage nature of 'Damaged' means it does not feature traditional casting or character roles. Its narrative focuses on abstract themes of the human body and transformation, rather than engaging in explicit social commentary or identity-based critiques.
Secondary
Damaged by Mike Hoolboom offers a deeply empathetic and affirming portrayal of LGBTQ+ characters and themes, particularly in its exploration of the AIDS crisis. The film respectfully centers queer experiences of illness, memory, and loss, validating the dignity and worth of LGBTQ+ lives amidst profound tragedy.
A Farewell Celebration sensitively portrays Alex, a transsexual woman, on the eve of her gender reassignment surgery. The film explores her journey of self-acceptance and identity with dignity, highlighting the courage to live authentically. Its overall impact is affirming and respectful towards transsexual lives.
The movie does not contain any action or adventure elements.
The film "Damaged" (1999) is an experimental short film that does not feature characters with pre-established canonical or historical genders from source material or prior installments. Therefore, no gender swaps, as defined, occur.
Damaged (1999) is an experimental short film by Mike Hoolboom, primarily utilizing found footage and not featuring narrative characters adapted from source material or specific historical figures portrayed by actors. Therefore, the concept of a 'race swap' as defined does not apply.
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