7.1
Viewer Rating
Combines user and critic ratings from four sources
Dead Man's Letters (1986)
Dead Man's Letters (1986)
Overview
In a world after the nuclear apocalypse a scholar helps a small group of children and adults survive, staying with them in the basement of the former museum of history. In his mind he writes letters to his son — though it is obvious that they will never be read.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
7.1
Overview
In a world after the nuclear apocalypse a scholar helps a small group of children and adults survive, staying with them in the basement of the former museum of history. In his mind he writes letters to his son — though it is obvious that they will never be read.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film presents a universal critique of human folly leading to nuclear catastrophe, focusing on the existential struggle for meaning and the preservation of human dignity and knowledge in a post-apocalyptic world, rather than promoting a specific political ideology.
This film features a cast that reflects its Soviet origin without explicit DEI-driven casting. Its narrative offers a universal critique of humanity's destructive tendencies rather than focusing on or negatively portraying traditional identities.
Secondary
Dead Man's Letters is a bleak, philosophical post-apocalyptic drama exploring the aftermath of nuclear war and the human condition. The film does not feature any identifiable LGBTQ+ characters or themes within its narrative, resulting in an N/A rating for its portrayal.
The film 'Dead Man's Letters' does not feature any identifiable transsexual characters or themes. Its narrative centers on the aftermath of a nuclear war and the struggle for survival among a group of intellectuals, without engaging with topics related to gender identity.
The movie does not contain any action or adventure elements.
Dead Man's Letters is an original film, not an adaptation, biopic, or reboot. All characters were created for this specific production, meaning there are no pre-existing canonical or historical gender baselines to be swapped from.
Dead Man's Letters is an original Soviet film from 1986, not an adaptation of pre-existing material or a depiction of historical figures. Therefore, its characters do not have a prior established race to be swapped from.
Viewer Rating Breakdown
User Ratings
7.5
6.8
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
8.7
Stalker
(1979)
Political: Center
Diversity: Low
Leans Traditional
6.6
Mirror for a Hero
(1987)
Political: Center
Diversity: Low
Leans Traditional
7.3
Antarctic Tale
(1980)
Political: Center
Diversity: Low
Traditional
7.5
The Cold Summer of 1953
(1988)
Political: Leans Right
Diversity: Low
Traditional
6.7
A Black Rose Is an Emblem of Sorrow, a Red Rose an Emblem of Love
(1990)
Political: Leans Right
Diversity: Low
Leans Traditional
6.8
Niagara
(1991)
Political: Center
Diversity: Low
Leans Traditional
6.7
Life of Klim Samgin
(1986)
Political: Center
Diversity: Low
Leans Traditional
6.7
Gunpowder
(1985)
Political: Center
Diversity: Low
Leans Traditional
7.4
Could One Imagine?
(1981)
Political: Center
Diversity: Low
Leans Traditional
7.5
Courier
(1986)
Political: Center
Diversity: Low
Leans Traditional
6.7
Whose Are You, Old People?
(1988)
Political: Center
Diversity: Low
Traditional
7.1
We Looked in the Death's Face
(1980)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
The Mystery of Edwin Drood
(1980)
Political: Center
Diversity: Low
Leans Traditional
6.5
Don't Leave Your Lovers
(1980)
Political: Center
Diversity: Low
Leans Traditional
8.1
Gentlemen of Fortune
(1971)
Political: Center
Diversity: Low
Leans Traditional
6.9
Juno and Avos
(1983)
Political: Center
Diversity: Low
Leans Traditional
6.6
Esop
(1981)
Political: Center
Diversity: Low
Traditional
8.3
Ivan the Terrible, Part I
(1944)
Political: Strong Right
Diversity: Low
Leans Traditional
8.0
Such a Strange Evening in a Small Family Circle
(1985)
Political: Center
Diversity: Low
Leans Traditional
6.6
Three People on a Highway
(1983)
Political: Center
Diversity: Low