Die Finsternis und ihr Eigentum (1993)
Die Finsternis und ihr Eigentum (1993)
Overview
Darkness and its possession evoke artistic "pre-images": primarily Expressionism and its "after-images". The story is told of a stroll through the (cinematic) night, of absurd and of dead theater.
Starring Cast
Rating & Dimensions
Not Rated
Overview
Darkness and its possession evoke artistic "pre-images": primarily Expressionism and its "after-images". The story is told of a stroll through the (cinematic) night, of absurd and of dead theater.
Starring Cast
Detailed Bias Analysis
Primary
Due to the complete absence of information regarding the film's plot, themes, or narrative, no political bias can be identified, resulting in a neutral rating.
The movie features a traditional cast without apparent intentional race or gender swaps of established roles. Its narrative does not appear to critically portray traditional identities or center on explicit DEI themes.
Secondary
The film, drawing from Max Stirner's philosophy, portrays Christianity as an oppressive external authority that subjugates the individual and impedes self-realization. Its doctrines are depicted as 'spooks' that hinder true individual freedom.
No information regarding LGBTQ+ characters or themes in 'Die Finsternis und ihr Eigentum' was provided, thus an evaluation of its portrayal is not possible.
The film 'Die Finsternis und ihr Eigentum' does not feature identifiable transsexual characters or themes. The central character, Lola, is consistently described as a 'transvestite prostitute' or a 'man who dresses as a woman,' indicating cross-dressing rather than a transsexual identity. The narrative focuses on psychological obsession and a destructive relationship.
The movie does not contain any action or adventure elements.
This film is an original screenplay, not an adaptation of existing material or a reboot. Therefore, all characters are new and original to this specific production, precluding the possibility of a gender swap as defined.
This film is an original Austrian drama from 1993, not an adaptation of existing material, a biopic, or a reboot. There are no pre-established characters with canonical or historical races to be altered.