MovieBias

See all results for ""
BrowseAnalyticsAbout

Dinner at Eight (1933)

Dinner at Eight poster

Dinner at Eight (1933)

Overview

An ambitious New York socialite plans an extravagant dinner party as her businessman husband, Oliver, contends with financial woes, causing a lot of tension between the couple. Meanwhile, their high-society friends and associates, including the gruff Dan Packard and his sultry spouse, Kitty, contend with their own entanglements, leading to revelations at the much-anticipated dinner.


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered byJustWatch

Rating & Dimensions

Bias Rating
Analyzing...
Leans Traditional

Political: Center
Diversity: Low
LGBTQ: Neutral

Viewer Rating
7.8

Overview

An ambitious New York socialite plans an extravagant dinner party as her businessman husband, Oliver, contends with financial woes, causing a lot of tension between the couple. Meanwhile, their high-society friends and associates, including the gruff Dan Packard and his sultry spouse, Kitty, contend with their own entanglements, leading to revelations at the much-anticipated dinner.


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

The film offers a social critique of the moral and financial struggles within high society during the Great Depression, focusing on individual character flaws and personal dramas rather than advocating for specific political solutions or ideologies. Its primary focus is on human nature and societal pressures, leading to a neutral political stance.

The film features traditional casting practices typical of its 1933 release, with no visible diversity or intentional recasting of roles. Its narrative focuses on social drama and character flaws within a specific societal context, without critiquing traditional identities based on race or gender.

Secondary

Dinner at Eight includes a subtly coded, implicitly queer relationship between a washed-up actor and his devoted valet. This portrayal is incidental, as the characters' implied queer identity is not central to the narrative and is neither affirmed nor denigrated, with the actor's tragic fate stemming from professional and personal failures.

The film "Dinner at Eight" (1933) is a classic ensemble drama focusing on the lives and struggles of various high-society characters. It does not feature any identifiable transsexual characters or themes, nor does it touch upon gender identity or transition in its narrative.

The movie does not contain any action or adventure elements.

The 1933 film "Dinner at Eight" is an adaptation of a 1932 play. All major characters from the original stage production retain their established genders in the film version. No characters were portrayed as a different gender than their source material.

The 1933 film "Dinner at Eight" is the initial screen adaptation of the 1932 play. All major characters, implicitly white in the source material, were portrayed by white actors, consistent with the original depiction. No character's race was altered from its established baseline.


Viewer Rating Breakdown

7.8

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
7.5
The Movie Database logo
6.8

Critic Ratings

Rotten Tomatoes logo
9.1
Metacritic logo
N/A

More Like This

The Women poster
Traditional
8.1
The Women
 (1939)
Political: Leans Right
Diversity: Low
Pollyanna poster
Traditional
7.4
Pollyanna
 (1960)
Political: Leans Right
Diversity: Low
To Die For poster
Leans Traditional
7.7
To Die For
 (1995)

Political: Center
Diversity: Low
LGBTQ: Neutral
Rushmore poster
Leans Traditional
8.2
Rushmore
 (1998)
Political: Center
Diversity: Low
The War of the Roses poster
Leans Traditional
7.5
The War of the Roses
 (1989)
Political: Center
Diversity: Low
Lolita poster
Leans Traditional
7.9
Lolita
 (1962)
Political: Center
Diversity: Low
Death at a Funeral poster
Traditional
6.8
Death at a Funeral
 (2007)

Political: Center
Diversity: Low
LGBTQ: Negative
The Sugarland Express poster
Leans Traditional
7.1
The Sugarland Express
 (1974)
Political: Center
Diversity: Low
The Quiet Man poster
Traditional
8.1
The Quiet Man
 (1952)
Political: Leans Right
Diversity: Low
Little Miss Sunshine poster
Leans Traditional
8.1
Little Miss Sunshine
 (2006)

Political: Center
Diversity: Low
LGBTQ: Neutral
Thunderbolt and Lightfoot poster
Leans Traditional
7.2
Thunderbolt and Lightfoot
 (1974)
Political: Center
Diversity: Low
Mrs. Doubtfire poster
Leans Traditional
6.7
Mrs. Doubtfire
 (1993)
Political: Center
Diversity: Low
Kit Kittredge: An American Girl poster
Leans Traditional
6.8
Kit Kittredge: An American Girl
 (2008)
Political: Leans Right
Diversity: Moderate
In Good Company poster
Leans Traditional
6.9
In Good Company
 (2004)
Political: Center
Diversity: Low
When Harry Met Sally... poster
Leans Traditional
7.9
When Harry Met Sally...
 (1989)
Political: Center
Diversity: Low
Confessions of a Dangerous Mind poster
Leans Traditional
7.1
Confessions of a Dangerous Mind
 (2002)
Political: Center
Diversity: Low
Big poster
Leans Traditional
7.9
Big
 (1988)
Political: Center
Diversity: Low
Adaptation. poster
Leans Traditional
8.1
Adaptation.
 (2002)
Political: Center
Diversity: Low
American Graffiti poster
Leans Traditional
8.4
American Graffiti
 (1973)
Political: Center
Diversity: Low
Matchstick Men poster
Leans Traditional
7.2
Matchstick Men
 (2003)
Political: Center
Diversity: Low
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2026 © moviebias.com