Leans Traditional
7.0
Hello, My Name Is Doris
(2015)
Political: Center
Diversity: Low
Does It Pay? (1923)
Does It Pay? (1923)
Overview
John Weston leaves his wife and kids to marry adventuress Doris Clark and loses his mind when he realizes his mistake. A lost film.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Leans Right
Diversity: Moderate
Viewer Rating
Not Rated
Overview
John Weston leaves his wife and kids to marry adventuress Doris Clark and loses his mind when he realizes his mistake. A lost film.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's narrative, a morality play from the early 20th century, champions individual moral responsibility and traditional virtues as the solution to the temptations of modern urban life, aligning with conservative values.
Due to the absence of specific details regarding the movie's casting and narrative content, the evaluation defaults to a neutral assessment. This indicates no explicit DEI-driven casting or narrative framing could be identified, nor could a traditional approach be confirmed.
Secondary
The film "Does It Pay?" does not feature any identifiable LGBTQ+ characters or themes based on available information. Consequently, there is no portrayal to evaluate, resulting in an N/A rating for its impact on LGBTQ+ representation.
Based on available plot summaries and character descriptions for 'Does It Pay?' (1923), there are no identifiable transsexual characters or themes present in the film. The narrative focuses on conventional social and romantic struggles, with no indication of gender identity or expression as a plot point.
The movie does not contain any action or adventure elements.
The film is an early 20th-century production with no indicated source material or pre-existing characters. Without a prior canonical or historical gender baseline, no character can be identified as having undergone a gender swap.
There is no evidence that "Does It Pay?" (1923) is an adaptation of source material with canonically established character races, nor does it feature historical figures. Therefore, the concept of a 'race swap' as defined does not apply.
More Like This
Traditional
8.4
My Darling Clementine
(1946)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
Quartet
(2012)
Political: Center
Diversity: Low
Leans Traditional
7.4
Far from the Madding Crowd
(2015)
Political: Center
Diversity: Low
Leans Traditional
6.8
Something's Gotta Give
(2003)
Political: Center
Diversity: Low
Leans Traditional
6.6
Café Society
(2016)
Political: Center
Diversity: Low
Leans Traditional
8.3
7th Heaven
(1927)
Political: Center
Diversity: Low
Leans Traditional
6.7
A Yank at Oxford
(1938)
Political: Center
Diversity: Low
Leans Traditional
6.6
Desire Under the Elms
(1958)
Political: Center
Diversity: Low
Leans Traditional
6.7
An Unremarkable Life
(1989)
Political: Center
Diversity: Low
Leans Traditional
7.4
The Guernsey Literary & Potato Peel Pie Society
(2018)
Political: Center
Diversity: Low
Leans Traditional
7.7
A Beautiful Mind
(2001)
Political: Center
Diversity: Low
Leans Traditional
7.4
Lars and the Real Girl
(2007)
Political: Center
Diversity: Low
Leans Traditional
7.9
Romeo and Juliet
(1968)
Political: Center
Diversity: Low
Leans Traditional
8.1
Cyrano
(1974)
Political: Center
Diversity: Low
Leans Traditional
6.5
Sylvia Scarlett
(1935)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.5
The Fault in Our Stars
(2014)
Political: Center
Diversity: Low
Leans Traditional
8.6
La La Land
(2016)
Political: Center
Diversity: Low
Traditional
6.5
The Journey
(1959)
Political: Leans Right
Diversity: Low
Leans Traditional
8.2
Barry Lyndon
(1975)
Political: Center
Diversity: Low