Leans Traditional
8.2
Zwei Tote im Sender und Don Carlos im PoGl
(1982)
Political: Center
Diversity: Low
Drei gegen Hollywood (1982)
Drei gegen Hollywood (1982)
Overview
In the 1930s, three unsuccessful variety artists dream of making it big. When they hear about the rise of sound films in Hollywood, they see their chance: a language school for silent film stars will bring them fame and success. Full of hope, they travel to California, straight into the exciting world of the first sound film productions. But not everything goes as planned...
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
In the 1930s, three unsuccessful variety artists dream of making it big. When they hear about the rise of sound films in Hollywood, they see their chance: a language school for silent film stars will bring them fame and success. Full of hope, they travel to California, straight into the exciting world of the first sound film productions. But not everything goes as planned...
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central conflict, 'three against Hollywood,' is too broad to infer a specific political bias without details on the nature of the critique or the solution championed. The themes of artistic struggle and industry critique can be framed from various ideological perspectives, leading to a neutral rating.
The movie exhibits no explicit DEI characteristics, featuring a traditional cast predominantly composed of white German actors. Its narrative, a comedy about three friends, does not critique traditional identities or incorporate strong DEI themes.
Secondary
Based on available plot information and character descriptions, 'Drei gegen Hollywood' does not include any discernible LGBTQ+ characters or themes. The story focuses on heterosexual relationships and career aspirations, resulting in a determination of N/A for LGBTQ+ portrayal.
The film 'Drei gegen Hollywood' (1982) does not feature any identifiable transsexual characters or themes in its narrative. Consequently, there is no portrayal of transsexual identity or experiences to evaluate within the scope of this film.
The movie does not contain any action or adventure elements.
This film is an original production and not an adaptation of existing source material, a biopic, or a reboot of legacy characters. Therefore, its characters are original creations and do not have a pre-established gender from prior canon or history to be swapped from.
Drei gegen Hollywood (1982) is an original German television film. Its characters were created specifically for this production and do not have a pre-existing canonical or historical racial identity from source material or prior adaptations. Therefore, no race swap can be identified.
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