Viewer Rating
Combines user and critic ratings from four sources

Elevation (2024)
Post-apocalyptic survivors find refuge in the Rocky Mountains to hide from giant, insect-like creatures that can't live above 8,000 feet. However, when one of them needs life-saving supplies, they risk it all to venture into the danger zone.
Post-apocalyptic survivors find refuge in the Rocky Mountains to hide from giant, insect-like creatures that can't live above 8,000 feet. However, when one of them needs life-saving supplies, they risk it all to venture into the danger zone.
The film's political content is largely metaphorical and existential, focusing on universal themes of survival, human ingenuity, and community without engaging in contemporary U.S. partisan debates, identity politics, or specific policy issues.
The film demonstrates intentional diversity through its casting of a Black lead in a sci-fi thriller, a genre where such roles are not always common. The narrative, however, focuses on universal survival themes and does not offer explicit social commentary on DEI issues or critique traditional identities.
The film 'Elevation' does not appear to feature any identifiable LGBTQ+ characters or themes based on the provided information. Reviews and plot summaries focus on its post-apocalyptic survival narrative, cast performances, and action sequences, without detailing any LGBTQ+ representation.
Elevation (2024) is a post-apocalyptic action thriller that does not feature transsexual characters or themes. The narrative focuses on survival against creatures in the Rocky Mountains, centering on specific characters without addressing gender identity or the trans community.
The film features female characters Nina and Katie who engage in combat against monstrous creatures (reapers) primarily using firearms. There is no information indicating scenes where female characters defeat male human opponents in close-quarters physical combat, hand-to-hand, or with melee weapons.
The film features original characters and is not an adaptation of pre-existing source material or historical figures. Therefore, no canonical or historical gender baselines exist for comparison, and no gender swaps are present.
Elevation (2024) features original characters created for the film, with no pre-existing source material or historical basis defining their race. Therefore, no character could have been canonically established as a different race prior to casting.
Combines user and critic ratings from four sources























