4.9
Viewer Rating
Combines user and critic ratings from four sources
Elizabethtown (2005)
Elizabethtown (2005)
Overview
Drew Baylor is fired after causing his shoe company to lose hundreds of millions of dollars. To make matters worse, he's also dumped by his girlfriend. On the verge of ending it all, Drew gets a new lease on life when he returns to his family's small Kentucky hometown after his father dies. Along the way, he meets a flight attendant with whom he falls in love.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Christianity: Positive
Viewer Rating
4.9
Overview
Drew Baylor is fired after causing his shoe company to lose hundreds of millions of dollars. To make matters worse, he's also dumped by his girlfriend. On the verge of ending it all, Drew gets a new lease on life when he returns to his family's small Kentucky hometown after his father dies. Along the way, he meets a flight attendant with whom he falls in love.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central themes of grief, self-discovery, and romance are inherently apolitical, and its narrative solution focuses on individual emotional healing and connection rather than promoting any specific political ideology.
The film features a predominantly white cast with no explicit race or gender swaps of traditional roles. Its narrative centers on a white, heterosexual male protagonist's journey of self-discovery, without critiquing or negatively framing traditional identities or incorporating explicit DEI themes.
Secondary
The film portrays Christian funeral traditions and community support as comforting and unifying. These elements provide a positive framework for grieving and celebrating life, without any narrative critique of the faith itself.
The film 'Elizabethtown' does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses entirely on heterosexual relationships and family dynamics, with no queer representation present in the story.
The film "Elizabethtown" does not feature any identifiable transsexual characters or themes within its narrative. The story primarily focuses on themes of grief, family, and romance, without engaging with transgender identity or experiences.
The movie does not contain any action or adventure elements.
Elizabethtown is an original film with characters created specifically for the movie. There are no pre-existing source materials, historical figures, or prior adaptations for its characters to establish a canonical gender that could then be swapped.
Elizabethtown is an original screenplay by Cameron Crowe, not an adaptation of pre-existing material or a biopic. All characters were created for this film, meaning there is no prior canonical or historical race to establish a baseline for comparison. Therefore, no race swaps occurred.
Viewer Rating Breakdown
User Ratings
6.3
6.2
Critic Ratings
2.7
4.5
More Like This
Leans Traditional
7.7
Enchanted
(2007)
Political: Center
Diversity: Low
Leans Traditional
8.1
Little Women
(1994)
Political: Center
Diversity: Low
Leans Traditional
8.4
Lost in Translation
(2003)
Political: Center
Diversity: Low
Leans Traditional
6.6
Hope Springs
(2012)
Political: Center
Diversity: Low
Leans Traditional
6.8
In Good Company
(2004)
Political: Center
Diversity: Low
Leans Traditional
9.0
City Lights
(1931)
Political: Center
Diversity: Low
Traditional
8.3
Manhattan
(1979)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.9
When Harry Met Sally...
(1989)
Political: Center
Diversity: Low
Traditional
8.2
Forrest Gump
(1994)
Political: Leans Right
Diversity: Low
Leans Traditional
7.7
Knocked Up
(2007)
Political: Center
Diversity: Low
Center
8.3
Moonrise Kingdom
(2012)
Political: Center
Diversity: Low
Female Combat: Yes
Leans Traditional
8.0
Licorice Pizza
(2021)
Political: Center
Diversity: Low
LGBTQ: Neutral
Center
7.9
Breakfast at Tiffany's
(1961)
Political: Center
Diversity: Low
Leans Traditional
7.1
Sleepless in Seattle
(1993)
Political: Center
Diversity: Low
Leans Traditional
8.3
Roman Holiday
(1953)
Political: Center
Diversity: Low
Leans Traditional
7.9
High Fidelity
(2000)
Political: Center
Diversity: Low
Leans Traditional
8.8
The Apartment
(1960)
Political: Center
Diversity: Low
Leans Traditional
8.1
Groundhog Day
(1993)
Political: Center
Diversity: Low
Traditional
8.4
Meet Me in St. Louis
(1944)
Political: Leans Right
Diversity: Low
Traditional
8.2
The Quiet Man
(1952)
Political: Leans Right
Diversity: Low