7.2
Viewer Rating
Combines user and critic ratings from four sources
Empire of the Sun (1987)
Empire of the Sun (1987)
Overview
Jamie Graham, a privileged English boy, is living in Shanghai when the Japanese invade and force all foreigners into prison camps. Jamie is captured with an American sailor, who looks out for him while they are in the camp together. Even though he is separated from his parents and in a hostile environment, Jamie maintains his dignity and youthful spirit, providing a beacon of hope for the others held captive with him.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Christianity: Positive
Viewer Rating
7.2
Overview
Jamie Graham, a privileged English boy, is living in Shanghai when the Japanese invade and force all foreigners into prison camps. Jamie is captured with an American sailor, who looks out for him while they are in the camp together. Even though he is separated from his parents and in a hostile environment, Jamie maintains his dignity and youthful spirit, providing a beacon of hope for the others held captive with him.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film focuses on the universal human experience of war and survival through a child's perspective, emphasizing the loss of innocence and individual resilience without promoting a specific political ideology or offering an ideological solution to conflict.
The film features traditional casting for its primary roles, aligning with the historical context of its characters. The narrative focuses on the experiences of a young white male protagonist without explicitly critiquing or negatively framing traditional identities within a DEI framework.
Secondary
The film uses Christian hymns and cultural references, particularly during Christmas, to evoke a sense of longing for home, peace, and lost innocence among the British internees. These elements are portrayed sympathetically, serving as a source of comfort and resilience in the face of extreme hardship.
Empire of the Sun does not feature any identifiable LGBTQ+ characters or themes. The film's narrative is centered on the historical events of World War II and a young boy's struggle for survival, making the portrayal of LGBTQ+ elements N/A.
Empire of the Sun does not feature any identifiable transsexual characters or themes. The film's narrative is centered on a young boy's struggle for survival during World War II, and thus, there is no depiction or portrayal of transsexual identity within its storyline.
The movie does not contain any action or adventure elements.
The film is a direct adaptation of J.G. Ballard's semi-autobiographical novel. All major characters, including protagonist Jim Graham, retain their established genders from the source material.
The film adapts J.G. Ballard's autobiographical novel. All major characters, including the protagonist Jim Graham, are portrayed by actors whose race aligns with their established depiction in the source material and historical context.
Viewer Rating Breakdown
User Ratings
7.7
7.5
Critic Ratings
7.5
6.2
Who Made This
Actors
| Name | Role | Gender | Race | Nationality |
|---|---|---|---|---|
Christian Bale | Jim | Male | White |  United Kingdom |
John Malkovich | Basie | Male | White |  United States |
Miranda Richardson | Mrs. Victor | Female | White | United Kingdom |
Nigel Havers | Dr. Rawlins | Male | White | United Kingdom |
Joe Pantoliano | Frank Demarest | Male | White | United States |
Leslie Phillips | Maxton | Male | White | United Kingdom |
Masatô Ibu | Sgt. Nagata | Male | East Asian |  Japan |
Ben Stiller | Dainty | Male | White | United States |
Actor Breakdown
Gender
Male
Female
88%
13%
Race
White
88%
East Asian
13%
Nationalities
United Kingdom
50%
United States
38%
Japan
13%
More Like This
Traditional
8.8
Saving Private Ryan
(1998)
Political: Leans Right
Diversity: Low
Traditional
8.4
Ford v Ferrari
(2019)
Political: Leans Right
Diversity: Low
Center
6.8
Public Enemies
(2009)
Political: Center
Diversity: Low
Leans Traditional
7.3
War Horse
(2011)
Political: Center
Diversity: Low
Traditional
6.7
Battle of the Bulge
(1965)
Political: Leans Right
Diversity: Low
Leans Traditional
7.5
The Outpost
(2020)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.7
The Thin Red Line
(1998)
Political: Center
Diversity: Low
Traditional
7.7
Braveheart
(1995)
Political: Leans Right
Diversity: Low
LGBTQ: Negative
Traditional
7.7
A Hidden Life
(2019)
Political: Leans Right
Diversity: Low
Leans Traditional
7.6
The Lost Squadron
(1932)
Political: Center
Diversity: Low
Leans Traditional
6.7
A Bridge Too Far
(1977)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Fall of the Roman Empire
(1964)
Political: Center
Diversity: Low
Traditional
7.0
The Birth of a Nation
(1915)
Political: Strong Right
Diversity: Low
Traditional
7.8
El Cid
(1961)
Political: Leans Right
Diversity: Low
Traditional
8.3
Patton
(1970)
Political: Leans Right
Diversity: Low
Traditional
6.7
The Patriot
(2000)
Political: Strong Right
Diversity: Low
Leans Traditional
8.2
Barry Lyndon
(1975)
Political: Center
Diversity: Low
Leans Traditional
8.2
The Fabelmans
(2022)
Political: Center
Diversity: Low
Leans Traditional
8.3
Close Encounters of the Third Kind
(1977)
Political: Center
Diversity: Low
Leans Traditional
6.8
Secretariat
(2010)
Political: Leans Right
Diversity: Moderate