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Entra na Farra (1943)

Entra na Farra poster

Entra na Farra (1943)

Overview

Returning from a pleasant horseback ride, two lovers on their way home contemplate each other, entranced by the modesty inherent in the rigid customs they were raised in. The hero feels an irrepressible desire to come to Rio. In the capital, interested in a theater star, he heads to Buenos Aires to win her heart.


Starring Cast


Rating & Dimensions

Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low

Viewer Rating

Not Rated


Overview

Returning from a pleasant horseback ride, two lovers on their way home contemplate each other, entranced by the modesty inherent in the rigid customs they were raised in. The hero feels an irrepressible desire to come to Rio. In the capital, interested in a theater star, he heads to Buenos Aires to win her heart.


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

The film's likely focus on light entertainment, music, and comedy, as suggested by its title and director's typical work, indicates an absence of explicit political themes, leading to a neutral rating.

The evaluation of this film's DEI characteristics is based on the absence of specific content information. Without details on casting or narrative, no explicit DEI elements could be identified, leading to a classification indicating no significant DEI presence.

Secondary

Based on the information provided, the film 'Entra na Farra' does not present identifiable LGBTQ+ characters or themes. Consequently, an assessment of its portrayal of LGBTQ+ elements is not applicable.

Based on available information, 'Entra na Farra' does not feature any identifiable transsexual characters or themes. The film's narrative focuses on typical sex comedy tropes without engaging with gender identity or transsexual experiences.

The movie does not contain any action or adventure elements.

There is no widely established source material or historical context indicating that characters in the 1943 Brazilian musical comedy "Entra na Farra" were originally of a different gender than portrayed in the film. Therefore, no gender swaps are identified.

This 1943 Brazilian musical comedy is an original film, not an adaptation of existing material or a biopic. There are no pre-established characters with canonical or historical racial identities to be altered.


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