6.4
Viewer Rating
Combines user and critic ratings from four sources
Escape from Fort Bravo (1953)
Escape from Fort Bravo (1953)
Overview
A Southern belle frees a Rebel officer and his men from a Union captain's Arizona fort.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
6.4
Overview
A Southern belle frees a Rebel officer and his men from a Union captain's Arizona fort.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central conflict revolves around the universal themes of survival and the necessity of pragmatic cooperation between adversaries when faced with a common, existential threat, rather than promoting a specific political ideology.
This film exhibits traditional casting practices, predominantly featuring white actors in its main roles without any apparent intentional race or gender swaps. The narrative maintains a neutral or positive portrayal of traditional identities, consistent with the filmmaking conventions of its era, and does not incorporate explicit DEI critiques.
Secondary
Escape from Fort Bravo, a 1953 Western, focuses on a Union captain and Confederate prisoners. The film does not include any discernible LGBTQ+ characters or themes, therefore, there is no portrayal to evaluate within its narrative.
The film 'Escape from Fort Bravo' (1953) does not feature any transsexual characters or themes. Its plot focuses on a Western drama involving military personnel and a spy, with no elements related to transgender identity.
The movie does not contain any action or adventure elements.
Escape from Fort Bravo is an original film from 1953. Its characters were created specifically for this production and are not based on prior source material, historical figures, or legacy characters from previous installments. Therefore, no gender swaps occurred.
This 1953 film is an original story, not an adaptation of pre-existing material with established character races. All major characters are either portrayed by actors of the same race as their implied character race, or they are new characters whose race is defined within the film itself, without a prior canonical race to swap from.
Viewer Rating Breakdown
User Ratings
6.6
6.2
Critic Ratings
N/A
N/A
More Like This
Traditional
7.8
Last Train from Gun Hill
(1959)
Political: Leans Right
Diversity: Low
Traditional
7.1
Gunfight at the O.K. Corral
(1957)
Political: Leans Right
Diversity: Low
Traditional
7.2
Hour of the Gun
(1967)
Political: Leans Right
Diversity: Low
Leans Traditional
7.9
The Magnificent Seven
(1960)
Political: Leans Right
Diversity: Low
Leans Traditional
6.8
Two Mules for Sister Sara
(1970)
Political: Center
Diversity: Low
Traditional
6.8
The Cowboys
(1972)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
Warlock
(1959)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.8
Butch Cassidy and the Sundance Kid
(1969)
Political: Center
Diversity: Low
Leans Traditional
8.7
Stagecoach
(1939)
Political: Center
Diversity: Low
Leans Traditional
8.2
The Third Woman
(1920)
Political: Center
Diversity: Low
Leans Traditional
7.9
The Misfits
(1961)
Political: Center
Diversity: Low
Traditional
8.4
My Darling Clementine
(1946)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
Born to Battle
(1927)
Political: Center
Diversity: Low
Traditional
7.8
The Outlaw Josey Wales
(1976)
Political: Leans Right
Diversity: Low
Leans Traditional
7.3
Scooby-Doo! Shaggy's Showdown
(2017)
Political: Center
Diversity: Low
Traditional
7.7
Old Henry
(2021)
Political: Leans Right
Diversity: Low
Traditional
6.7
Lawless
(2012)
Political: Leans Right
Diversity: Low
Leans Traditional
6.6
The Joyous Trouble-Makers
(1920)
Political: Center
Diversity: Low
Traditional
8.0
Desperado: The Outlaw Wars
(1989)
Political: Leans Right
Diversity: Low
Leans Traditional
7.1
Twins of Suffering Creek
(1920)
Political: Center
Diversity: Low