Viewer Rating
Combines user and critic ratings from four sources

Eternity (2025)
In an afterlife where souls have one week to decide where to spend eternity, Joan is faced with the impossible choice between the man she spent her life with and her first love, who died young and has waited decades for her to arrive.
In an afterlife where souls have one week to decide where to spend eternity, Joan is faced with the impossible choice between the man she spent her life with and her first love, who died young and has waited decades for her to arrive.
The film's dominant themes of personal choice, social inclusivity, and empathy, particularly concerning relationships and identity, align with socially liberal values, leading to a left-leaning rating.
The movie incorporates inclusive representation through a diverse cast. Its world-building explicitly acknowledges LGBTQ+ identities and feminist perspectives with concepts like 'Queer World' and 'Man-free World.' The central narrative also emphasizes female autonomy and self-determination. These elements are integrated into the story rather than being its primary focus.
Eternity (2025) offers a positive portrayal of LGBTQ+ characters through supporting roles in an afterlife setting. Queer couples and chosen families are depicted with dignity, depth, and authenticity, navigating universal themes of love and self-acceptance. Their storylines are integral, not tokenistic, enriching the film's overall message.
The film uniformly dismisses all religious traditions, including Buddhism, as misguided belief systems that have fundamentally misunderstood the afterlife.
The film critically and dismissively portrays Christian concepts of the afterlife, divine judgment, and the value of religious practice, framing them as irrelevant or incorrect within its secular narrative.
The film uniformly dismisses all religious traditions, including Hinduism, as misguided belief systems that have fundamentally misunderstood the afterlife.
The film uniformly dismisses all religious traditions, including Islam, as misguided belief systems that have fundamentally misunderstood the afterlife.
The film includes Judaism within its broader 'Judeo-Christian' critique, dismissing traditional afterlife concepts and the relevance of morality in a similar manner to its portrayal of Christianity.
The film uniformly dismisses all religious traditions, including Sikhism, as misguided belief systems that have fundamentally misunderstood the afterlife.
Based on the provided information, there are no specific details available regarding the portrayal of transsexual characters or themes in 'Eternity' (2025). Therefore, an evaluation of its net impact on transsexual depictions cannot be made.
The movie does not contain any action or adventure elements.
The film's main characters, Joan, Larry, and Luke, are portrayed with their canonical genders consistent with the source material. The provided information explicitly states there are no characters whose on-screen gender differs from their established gender in the source material or historical record.
The principal characters' casting aligns with their implied mid-20th-century Western backgrounds. Characters like Anna, an afterlife coordinator, are original to the film's fantastical setting, and their race was not previously established or historically bound, therefore not constituting a race swap.
Combines user and critic ratings from four sources























