Viewer Rating
Combines user and critic ratings from four sources
Comedy, Drama, Romance • 2011 • 97 min • Adults (18+)

Will Ferrell plays a newly fired alcoholic who finds his belongings on the front lawn after his wife locks him out. Rather than spiral quietly, he turns the lawn into a yard sale and, slowly, into something resembling a life. The film is adapted from a Raymond Carver short story and keeps that story's interest in men undone by their own habits. The Neutral label fits because the film's cultural signals mostly cancel out. It leans gently progressive in how it frames recovery around chosen bonds rather than a restored marriage, but it also centers individual responsibility and avoids political framing almost entirely. The result is a character study that sits closer to universal than partisan.
Will Ferrell • Rebecca Hall • Christopher Jordan Wallace
Will Ferrell plays a newly fired alcoholic who finds his belongings on the front lawn after his wife locks him out. Rather than spiral quietly, he turns the lawn into a yard sale and, slowly, into something resembling a life. The film is adapted from a Raymond Carver short story and keeps that story's interest in men undone by their own habits. The Neutral label fits because the film's cultural signals mostly cancel out. It leans gently progressive in how it frames recovery around chosen bonds rather than a restored marriage, but it also centers individual responsibility and avoids political framing almost entirely. The result is a character study that sits closer to universal than partisan.
Will Ferrell • Rebecca Hall • Christopher Jordan Wallace
The film explores universal themes of personal crisis, materialism, and redemption, emphasizing individual responsibility and the importance of human connection over possessions. It avoids explicit political commentary, focusing instead on a character's journey of self-discovery and recovery.
The movie includes visible diversity within its supporting cast. Its narrative primarily focuses on the personal journey of a white male protagonist, without explicitly critiquing traditional identities or centering DEI themes.
The film portrays the breakdown of a traditional marriage and the subsequent formation of supportive, non-biological bonds between the protagonist, a neighborhood kid, and a pregnant neighbor, normalizing alternative family arrangements and chosen family as a path to recovery.
The film 'Everything Must Go' does not feature any identifiable LGBTQ+ characters or themes. The narrative centers exclusively on the heterosexual relationships and personal crisis of the protagonist, Nick Halsey, as he deals with job loss, alcoholism, and divorce. Queer identity or experiences are not depicted or explored in any capacity.
The film 'Everything Must Go' does not feature any identifiable transsexual characters or explore themes related to transsexual identity. The narrative centers on the protagonist's personal struggles with alcoholism and loss, and his path to recovery, with no elements pertaining to transsexual experiences.
The movie does not contain any action or adventure elements.
The film is an adaptation of a short story. Its main character maintains the same gender as in the source material. Other significant characters in the film are either new creations or substantial expansions, not gender-swapped versions of established characters from the original short story.
The film is an adaptation of Raymond Carver's short story "Why Don't You Dance?". The source material does not explicitly define the race of any of its characters, nor were they widely established as a particular race prior to this adaptation. Therefore, no character's race was changed from an established baseline.
Not depicted in the film.
Combines user and critic ratings from four sources























