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Everything's Going to Be Great (2025)
When they are unexpectedly forced to move in with an estranged relative, the Smart Family must navigate oversized dreams, identity struggles and regional theater in this warmly observant family comedy.
When they are unexpectedly forced to move in with an estranged relative, the Smart Family must navigate oversized dreams, identity struggles and regional theater in this warmly observant family comedy.
The film centers on universal themes of family dynamics, personal ambition, and navigating grief and identity struggles, with explicit information stating no references to partisan politics or ideological affiliations.
The film features a predominantly white cast and a traditional nuclear family structure, with no explicit race or gender swaps of established roles. The narrative focuses on universal themes of family dynamics, ambition, and grief, without explicitly addressing or critiquing traditional identities or incorporating specific diversity, equity, and inclusion themes.
The film portrays Lester Smart, a queer-coded, flamboyant adolescent, as a complex character facing marginalization. While depicting social pushback against his non-conformity, the narrative maintains an empathetic and heartfelt tone, affirming his identity and aspirations for theatrical success.
The film portrays a character, Macy, losing faith in her religion following a tragic death, specifically lamenting the deceased's religiously-motivated lack of practical planning. This depicts the religion as failing to provide adequate guidance or solace in a crisis, leading to disillusionment.
Based on available plot summaries, critical reviews, and filmmaker interviews, 'Everything's Going to Be Great' (2025) does not appear to feature transsexual characters or themes. The film's narrative focuses on family dynamics and theatrical aspirations, with no reported elements of gender-affirming transition or transsexual identity.
The movie does not contain any action or adventure elements.
The provided information explicitly states that no characters in the film have an on-screen gender that differs from their established gender in source material or historical record.
The film is based on an original screenplay with no prior source material or adaptations. All characters are new creations, meaning there are no pre-existing racial identities to be altered.
Combines user and critic ratings from four sources























