Viewer Rating
Combines user and critic ratings from four sources

Evidence (2025)
Taking her dad’s job at the Olin Corporation as its starting point, Lee Anne Schmitt interweaves meditative reflections on her biography and her own body with a history of the rise and widespread influence of conservative think tanks in the United States.
Taking her dad’s job at the Olin Corporation as its starting point, Lee Anne Schmitt interweaves meditative reflections on her biography and her own body with a history of the rise and widespread influence of conservative think tanks in the United States.
The film explicitly critiques corporate power and its impact, linking the 'right wing’s assault on bodily autonomy' to the 'crisis of the environment' and examining the influence of conservative think tanks, which aligns with a clear progressive ideology.
This documentary critically examines the influence of corporate money and conservative ideologies on societal concepts of care, family, and bodily autonomy. It delves into the rise of conservative think tanks and their impact, connecting these themes to environmental concerns and the director's personal biography.
The film 'Evidence, 2025' does not feature any identifiable LGBTQ+ characters or themes. Available information focuses on the director's personal biography, corporate influence on politics, and concepts of family and bodily autonomy, without any explicit connection to queer identities or issues.
The film 'Evidence, 2025' does not feature any identifiable transsexual characters or themes. Reviews and plot summaries indicate the documentary explores the filmmaker's biography and body in a political context, without references to gender or sexual transformation, leading to a rating of N/A for transsexual portrayal. For example, the film's narrative focuses on bodily autonomy and environmental crisis, not gender identity.
The movie does not contain any action or adventure elements.
The film is a documentary that lacks fictional characters or source material adaptations. Consequently, there are no established characters whose gender could be swapped from prior canon or historical record.
This documentary has no identified prior source material or established fictional characters. The film focuses on personal biography and corporate history, narrated by the director, meaning there are no pre-existing roles that could undergo a race swap.
Combines user and critic ratings from four sources























