Center
10.0
Tunnel Destruction
(1969)
Political: Center
Diversity: Moderate
Examples of Color Cinematography Produced by the Kodachrome Process (1926)
Examples of Color Cinematography Produced by the Kodachrome Process (1926)
Overview
"This compilation of prints made in 1925 and 1926 highlights the strengths of the process with scenes of sumptuous clothing and fabrics, life-like shots of fruit, advertising setups, and abstract kaleidoscopic views. Prominently featured are shots of actress/model Hope Hampton, showcasing the latest French fashions from designers including the House of Worth, Lanvin, and Jean Magnin. These scenes were originally featured in the 1926 shorts Parisian Modes in Colour and Colorful Fashions from Paris, both of which were photographed in Kodak’s color film studio at the Eastman School of Dance and distributed across the US by Educational Pictures as part of the McCall’s Color Fashion News series." — James Layton
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Viewer Rating
Not Rated
Overview
"This compilation of prints made in 1925 and 1926 highlights the strengths of the process with scenes of sumptuous clothing and fabrics, life-like shots of fruit, advertising setups, and abstract kaleidoscopic views. Prominently featured are shots of actress/model Hope Hampton, showcasing the latest French fashions from designers including the House of Worth, Lanvin, and Jean Magnin. These scenes were originally featured in the 1926 shorts Parisian Modes in Colour and Colorful Fashions from Paris, both of which were photographed in Kodak’s color film studio at the Eastman School of Dance and distributed across the US by Educational Pictures as part of the McCall’s Color Fashion News series." — James Layton
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject matter, an external alien threat, does not inherently align with a specific political ideology, and without further plot details, the narrative is evaluated as neutral.
This evaluation for the movie '{Чужие}' is based on a neutral assumption due to the absence of specific movie details. It suggests a general level of diversity in casting and a narrative that does not explicitly lean towards or against traditional identities or strong DEI themes.
Secondary
Based on the information provided, the film's content regarding LGBTQ+ characters and themes could not be evaluated, resulting in an N/A rating.
Due to the complete absence of content information for the film, it is not possible to evaluate its portrayal of transsexual characters or themes. Therefore, the assessment defaults to N/A, indicating no identifiable depiction could be found or analyzed.
The movie does not contain any action or adventure elements.
The 1926 film "Чужие" by Boris Svetlov is an original work with no known prior source material or established canon. Without a baseline for character genders, it is not possible to identify any instances of gender swaps according to the provided definition.
The film 'Чужие' (1926) directed by Boris Svetlov cannot be identified or verified through available databases. Without verifiable information about the film or its characters, it is not possible to determine if any race swaps occurred.
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