3.3
Viewer Rating
Combines user and critic ratings from four sources
Exorcist II: The Heretic (1977)
Exorcist II: The Heretic (1977)
Overview
Bizarre nightmares plague Regan MacNeil four years after her possession and exorcism. Has the demon returned? And if so, can the combined faith and knowledge of a Vatican investigator and a research specialist free her from its grasp?
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Christianity: Positive
Viewer Rating
3.3
Overview
Bizarre nightmares plague Regan MacNeil four years after her possession and exorcism. Has the demon returned? And if so, can the combined faith and knowledge of a Vatican investigator and a research specialist free her from its grasp?
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The film primarily explores apolitical themes of spiritual warfare, faith, and the nature of evil, focusing on a metaphysical struggle rather than engaging with contemporary political ideologies or societal critiques.
The movie features a predominantly white main cast, with a notable supporting role for a Black actor as an African elder, which adds visible diversity without explicit race-swapping of established roles. The narrative maintains a neutral to positive framing of traditional identities, focusing on spiritual themes rather than critiquing specific demographics.
Secondary
The film, while exploring themes of doubt and an expanded understanding of spiritual warfare, ultimately affirms the power of Christian faith and the spiritual struggle against evil. Father Lamont's journey leads to a deeper, rather than diminished, spiritual conviction.
Exorcist II: The Heretic does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on religious horror, demonic possession, and psychological elements, with no subplots or character arcs related to queer identity.
The film 'Exorcist II: The Heretic' does not feature any identifiable transsexual characters or explore themes related to transsexual identity. Its narrative is solely focused on supernatural horror and religious elements, resulting in no portrayal of transsexual individuals or experiences.
The movie does not contain any action or adventure elements.
Exorcist II: The Heretic continues the story with established characters like Regan MacNeil and Sharon Spencer, maintaining their original genders. All other significant characters are new to this installment, thus no gender swaps occur.
The film features returning characters like Regan MacNeil and Sharon Spencer who maintain their established race from the original film. New characters introduced in this sequel do not have prior canonical racial depictions to be swapped from.
Viewer Rating Breakdown
User Ratings
3.8
4.5
Critic Ratings
1.0
3.9
More Like This
Leans Traditional
8.4
The Unknown
(1927)
Political: Center
Diversity: Low
Progressive
6.8
Candyman
(1992)
Political: Strong Left
Diversity: High
Leans Traditional
6.8
No One Will Save You
(2023)
Political: Center
Diversity: Low
Leans Traditional
6.6
Christine
(1983)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Return of the Vampire
(1943)
Political: Center
Diversity: Low
Traditional
7.4
Dressed to Kill
(1980)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Progressive
7.1
Planet Terror
(2007)
Political: Leans Left
Diversity: Moderate
Female Combat: Yes
Leans Traditional
6.7
A Bucket of Blood
(1959)
Political: Center
Diversity: Low
Leans Traditional
6.7
Don't Be Afraid of the Dark
(1973)
Political: Center
Diversity: Low
Leans Traditional
7.1
A Quiet Place: Day One
(2024)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.8
Dracula
(1931)
Political: Center
Diversity: Low
Leans Traditional
7.3
Scream
(1996)
Political: Center
Diversity: Low
Leans Traditional
7.5
Gremlins
(1984)
Political: Center
Diversity: Low
Center
7.8
Sweeney Todd: The Demon Barber of Fleet Street
(2007)
Political: Leans Left
Diversity: Low
Leans Traditional
8.5
Invasion of the Body Snatchers
(1956)
Political: Center
Diversity: Low
Traditional
7.3
The Black Phone
(2022)
Political: Leans Right
Diversity: Low
Leans Traditional
7.2
Arachnophobia
(1990)
Political: Center
Diversity: Low
Leans Traditional
8.4
Frankenstein
(1931)
Political: Center
Diversity: Low
Progressive
7.0
Saw X
(2023)
Political: Leans Left
Diversity: High
Leans Traditional
7.0
The Haunted Palace
(1963)
Political: Center
Diversity: Low