Leans Traditional
9.0
Metropolis
(1927)
Political: Center
Diversity: Low
Fahrt ins Weiße (1937)
Fahrt ins Weiße (1937)
Overview
Munich Carnival! In the midst of the hustle and bustle, a merry group joins the stream of skiers who left Munich's train stations early in the morning on special trains to enjoy the white splendor of the mountains. From Schliersee station, a short climb past snow-covered alpine pastures and hay barns leads to the host's hut. Once the first hunger pangs have been satisfied, the skis are waxed and off they go in a long line up the steep slope. From the Firstalm, the view stretches far down to the Sunday bustle of the winter sports resort. It's wonderful to bask in the February sun in a light swimsuit. But a snowball fight also has its charms. And just as much fun as the "hut magic" is the evening trip home on the ski train in "hearty" company.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Christianity: Negative
Viewer Rating
Not Rated
Overview
Munich Carnival! In the midst of the hustle and bustle, a merry group joins the stream of skiers who left Munich's train stations early in the morning on special trains to enjoy the white splendor of the mountains. From Schliersee station, a short climb past snow-covered alpine pastures and hay barns leads to the host's hut. Once the first hunger pangs have been satisfied, the skis are waxed and off they go in a long line up the steep slope. From the Firstalm, the view stretches far down to the Sunday bustle of the winter sports resort. It's wonderful to bask in the February sun in a light swimsuit. But a snowball fight also has its charms. And just as much fun as the "hut magic" is the evening trip home on the ski train in "hearty" company.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject, the Spanish children evacuated to the Soviet Union, is deeply rooted in political history. However, the narrative likely focuses on the universal human experience of displacement, cultural adaptation, and identity formation, rather than explicitly promoting or critiquing a specific political ideology, thus maintaining a neutral stance.
The movie's diversity stems from its historical subject matter, focusing on the experiences of Spanish children in Russia, rather than explicit DEI-driven casting or narrative choices. It does not feature intentional race or gender swaps of traditionally white roles, nor does it center on an explicit critique of traditional identities.
Secondary
As a Soviet propaganda film from 1937, "The Spanish Children of Russia" implicitly portrays Christianity (specifically Catholicism, prevalent in Spain) as part of the oppressive, backward old order from which the children are being rescued. The narrative contrasts the perceived religious conservatism of Spain with the progressive, secular Soviet environment, framing the former as undesirable.
Based on the information provided, 'The Spanish Children of Russia' does not present any identifiable LGBTQ+ characters or themes. Consequently, an evaluation of its portrayal of LGBTQ+ elements cannot be performed, leading to an 'N/A' rating for its net impact.
Without any provided plot details or character information for 'Arbeit und Fortschritt,' it is impossible to assess the presence or portrayal of transsexual characters or themes. Consequently, the film's net impact regarding this objective is N/A.
The movie does not contain any action or adventure elements.
This 1937 documentary film depicts real Spanish children evacuated during the Spanish Civil War. As a factual account, it portrays individuals as they were, without altering the documented gender of any historical figures or subjects.
The film depicts a historical event involving Spanish children during the Spanish Civil War. There is no evidence or historical context to suggest that any character, historically or canonically established as one race, was portrayed as a different race in this 1937 production.
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