4.3
Viewer Rating
Combines user and critic ratings from four sources
Fanny Hill (1964)
Fanny Hill (1964)
Overview
Young, pretty and innocent, Fanny Hill has lost her parents and must find her way in life amidst the perils of turbulent 18th-century London. She's fortunate enough to rapidly find a place as chambermaid of the effusive Mrs. Brown, who lives in a large house teeming with female 'relatives' in negligée and with very relaxed manners. She also insists that Fanny alone meets various gentlemen who show an ardent interest in her.
Starring Cast
Where to watch
Prime VideoRating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Christianity: Negative
Viewer Rating
4.3
Overview
Young, pretty and innocent, Fanny Hill has lost her parents and must find her way in life amidst the perils of turbulent 18th-century London. She's fortunate enough to rapidly find a place as chambermaid of the effusive Mrs. Brown, who lives in a large house teeming with female 'relatives' in negligée and with very relaxed manners. She also insists that Fanny alone meets various gentlemen who show an ardent interest in her.
Starring Cast
Where to watch
Prime VideoDetailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film focuses on individual sexual experiences and societal hypocrisy without explicitly promoting a specific political ideology or advocating for systemic change from either a progressive or conservative standpoint, thus remaining neutral.
The movie features primarily traditional casting, reflecting the historical setting and the filmmaking practices of its era, without explicit race or gender swaps. Its narrative focuses on the protagonist's journey through various social and sexual encounters, without explicitly critiquing traditional identities.
Secondary
The film uses Christian morality as a backdrop to expose societal hypocrisy, portraying religious figures and institutions as either irrelevant or as a facade for the characters' amoral and self-serving actions. The narrative satirizes the disconnect between professed piety and actual behavior, aligning with a critical view of religious institutions.
The film "Fanny Hill" (1964) does not feature identifiable LGBTQ+ characters or themes. Its narrative focuses exclusively on heterosexual relationships and experiences, aligning with the source material and the director's typical thematic interests.
The film "Fanny Hill (1964)" does not feature any identifiable transsexual characters or themes. Its narrative is centered on the heterosexual experiences of the titular character, consistent with its source material and the exploitation genre of its era. Therefore, an evaluation of transsexual portrayal is not applicable.
The movie does not contain any action or adventure elements.
The 1964 film "Fanny Hill" is an adaptation of John Cleland's 1748 novel. All major characters, including Fanny Hill, Charles, and Mrs. Brown, retain their established genders from the source material in the film adaptation.
The 1964 film "Fanny Hill" adapts John Cleland's 18th-century novel. The characters, including Fanny Hill, are consistently portrayed by white actors, aligning with their established race in the source material and historical context. No character originally established as one race is depicted as a different race.
Viewer Rating Breakdown
User Ratings
4.5
4.1
Critic Ratings
N/A
N/A
More Like This
Center
6.8
Manitou's Shoe
(2001)
Political: Center
Diversity: Low
Leans Traditional
8.2
Ghost World
(2001)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.0
Suck Me Shakespeer
(2013)
Political: Leans Right
Diversity: Moderate
Center
7.5
The Adventures of Baron Munchausen
(1988)
Political: Center
Diversity: Low
Leans Traditional
6.5
Praxis Dr. Hasenbein
(1997)
Political: Center
Diversity: Low
Leans Traditional
7.8
Good Bye, Lenin!
(2003)
Political: Center
Diversity: Low
Leans Traditional
7.0
Cross of Iron
(1977)
Political: Center
Diversity: Low
Leans Traditional
6.5
Hinterholz 8
(1998)
Political: Center
Diversity: Low
Leans Traditional
8.3
Hexenschuß
(1987)
Political: Center
Diversity: Low
Leans Traditional
6.9
Kaiserschmarrndrama
(2021)
Political: Center
Diversity: Low
Leans Traditional
7.6
The Baader Meinhof Complex
(2008)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Private Life of Sherlock Holmes
(1970)
Political: Center
Diversity: Low
LGBTQ: Neutral
Traditional
8.6
The Lives of Others
(2006)
Political: Leans Right
Diversity: Low
Leans Traditional
8.0
Shakespeare in Love
(1998)
Political: Center
Diversity: Low
Leans Traditional
7.1
Tom Jones
(1963)
Political: Center
Diversity: Low
Traditional
6.6
Der Bockerer III - Die Brücke von Andau
(2000)
Political: Leans Right
Diversity: Low
Traditional
7.5
Triumph of the Will
(1935)
Political: Strong Right
Diversity: Low
Leans Traditional
7.0
Der Todestraum
(1918)
Political: Center
Diversity: Low
Leans Traditional
10.0
Marginalia
(2025)
Political: Center
Diversity: Low
Leans Traditional
7.6
The Bourne Identity
(2002)
Political: Center
Diversity: Low