風の噂のリル (1952)
風の噂のリル (1952)
Overview
Sanada Bunkichi, an alcoholic musician who had lost all motivation to live, was a man who seemed to be supported by the kind consideration of his disciple Shimaki Tetsuo. One day, the two of them joined five others who were going to the cabaret Kurofune in Shimoda and went on a journey together, where they discovered a pretty young woman named Keiko, called Lilu. When the group returned to Tokyo, Keiko, who wanted to be a singer, followed them and asked them to accompany her to Tokyo. Keiko settled on the second floor of Tetsuo's aunt's tobacco shop in Tokyo, but Sanada went on a journey as a musician with the female swordsman Oe Midori's troupe to take care of Keiko's immediate living expenses. During his absence, Keiko was able to make her debut as a radio singer thanks to the kindness of Tetsuo's friend. Hearing Keiko's voice coming from the radio, Sanada rejected Midori's advances and returned to Tokyo.
Starring Cast
Rating & Dimensions
Not Rated
Overview
Sanada Bunkichi, an alcoholic musician who had lost all motivation to live, was a man who seemed to be supported by the kind consideration of his disciple Shimaki Tetsuo. One day, the two of them joined five others who were going to the cabaret Kurofune in Shimoda and went on a journey together, where they discovered a pretty young woman named Keiko, called Lilu. When the group returned to Tokyo, Keiko, who wanted to be a singer, followed them and asked them to accompany her to Tokyo. Keiko settled on the second floor of Tetsuo's aunt's tobacco shop in Tokyo, but Sanada went on a journey as a musician with the female swordsman Oe Midori's troupe to take care of Keiko's immediate living expenses. During his absence, Keiko was able to make her debut as a radio singer thanks to the kindness of Tetsuo's friend. Hearing Keiko's voice coming from the radio, Sanada rejected Midori's advances and returned to Tokyo.
Starring Cast
Detailed Bias Analysis
Primary
The political bias of 'Happy Harvest' cannot be determined due to the absence of plot details and thematic information, rendering an objective evaluation impossible.
Based on the absence of specific casting or narrative information, the movie is evaluated as adhering to traditional representation and framing. There is no indication of explicit DEI-driven casting or narrative critiques of traditional identities.
Secondary
No information regarding the plot, characters, or themes of 'Happy Harvest' was provided, precluding an evaluation of its LGBTQ+ portrayal. Therefore, the film's net impact on LGBTQ+ themes cannot be determined.
Based on available information, 'Curtain Call' (1952) does not feature any identifiable transsexual characters or themes. Consequently, no specific portrayal could be evaluated.
The movie does not contain any action or adventure elements.
No source material or prior canonical establishment for "Happy Harvest" (1952) is provided, making it impossible to determine if any character's gender was altered from a pre-existing version.
Without information regarding the source material, previous character portrayals, or historical figures associated with the 1952 film 'Happy Harvest,' it is not possible to identify any instances where a character's established race was changed.