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Ferrari (2023)
Set during the summer of 1957. Ex-racecar driver, Enzo Ferrari, is in crisis. Bankruptcy stalks the company he and his wife, Laura, built from nothing ten years earlier. Their tempestuous marriage struggles with the mourning for one son and the acknowledgement of another.
Set during the summer of 1957. Ex-racecar driver, Enzo Ferrari, is in crisis. Bankruptcy stalks the company he and his wife, Laura, built from nothing ten years earlier. Their tempestuous marriage struggles with the mourning for one son and the acknowledgement of another.
The film offers a nuanced exploration of ambition, competition, and the personal costs of success within a capitalist system, presenting themes that align with both conservative and liberal perspectives without explicitly endorsing a singular political ideology.
The film features traditional casting, centering on Italian characters in a 1950s setting with no significant racial or ethnic diversity. Its narrative explores the complexities of masculinity and traditional gender roles through its central white male character, without explicitly critiquing traditional identities or foregrounding contemporary DEI themes.
Ferrari (2023) is a biographical drama centered on Enzo Ferrari's personal and professional life, specifically his heterosexual relationships and business pressures. The film contains no explicit or implicit portrayal of LGBTQ+ characters, themes, or storylines, resulting in a complete absence of LGBTQ+ representation.
Ferrari (2023) does not include any transsexual characters or themes. The film focuses entirely on the biographical and historical subject matter of Enzo Ferrari's life in 1950s Italy, without venturing into discussions of gender identity or the transsexual community.
The movie does not contain any action or adventure elements.
Ferrari (2023) is a biopic portraying real historical figures. All principal and supporting characters are cast with actors whose gender aligns with the documented historical and biographical records of these individuals. There is no evidence of any character's on-screen gender differing from their established historical gender.
The film casts actors of European descent to portray historical European characters. While there are shifts in specific ethnicity or phenotypical appearance (e.g., Northern European descent playing Mediterranean Italian), these do not constitute a change in broader racial category as defined.
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