Viewer Rating
Combines user and critic ratings from four sources

Four Weddings and a Funeral (1994)
Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.
Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.
The film's central subject matter of romantic relationships and social conventions is largely apolitical, focusing on individual happiness and human connection rather than promoting a specific political ideology. While it gently satirizes traditions and includes a gay couple, these elements are integrated into a broader narrative about love and commitment, leading to a neutral rating.
This 1994 romantic comedy features a predominantly white, mainstream cast and does not incorporate explicit DEI-driven casting or narrative themes. The film's portrayal of traditional identities is neutral to positive, without any critical framing.
The film features a prominent gay couple, Gareth and Matthew, whose loving relationship is depicted with dignity and respect. Matthew's poignant eulogy for Gareth powerfully affirms their bond, presenting their love as equal in significance to the heterosexual relationships, contributing positively to LGBTQ+ representation.
The film uses Christian ceremonies (weddings, funeral) as central backdrops for key emotional and narrative developments. It particularly highlights community and profound emotion during the funeral eulogy, without critiquing the faith itself.
The film "Four Weddings and a Funeral" does not feature any identifiable transsexual characters or themes. The narrative focuses on heterosexual relationships and a prominent gay male couple, but there is no depiction of transsexual identity or experiences within the story.
The movie does not contain any action or adventure elements.
Four Weddings and a Funeral (1994) is an original screenplay featuring new characters. There is no prior source material, historical figures, or earlier adaptations from which characters' genders could have been established and subsequently changed.
Four Weddings and a Funeral (1994) is an original film with characters created for its screenplay. There is no prior source material, historical figures, or previous adaptations to establish a canonical race for any character, thus precluding a race swap.
Combines user and critic ratings from four sources




Actors
| Name | Role | Gender | Race | Nationality |
|---|---|---|---|---|
Hugh Grant | Charles | Male | White | |
Andie MacDowell | Carrie | Female | White | |
Kristin Scott Thomas | Fiona | Female | White | |
Simon Callow | Gareth | Male | White | |
James Fleet | Tom | Male | White | |
John Hannah | Matthew | Male | White | |
Rowan Atkinson | Father Gerald | Male | White | |
Anna Chancellor | Henrietta | Female | White | |
Sophie Thompson | Lydia the Bride - Wedding Two | Female | White | |
Duncan Kenworthy | Matthew's Gorgeous New Boyfriend (uncredited) | Male | White |
Actor Breakdown
Gender
Race
Nationalities



















